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致谢
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本文源自根特大学智能实验室（UGent SmartLab）研究团队正在从事的研究，并得到根特大学电子信息系统系和建筑与城市规划系的支持。本文作者诚挚感谢Flanders研究基金（FWO）的资助。
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[243]皮特·鲍维尔：2008年毕业于根特大学成为工程师／建筑师，从事有关集成建筑设计环境的集成电路计算机遥控技术（ICT）理论研究。目前正在根特大学撰写博士论文，主要研究如何在ICT应用中使用信息，为建筑设计师的设计任务提供支持。
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[244]罗纳德·梅耶：1978年毕业于安特卫普霍格尔设计院，1993年获天主教鲁汶大学博士学位，博士论文研究19世纪安特卫普城区开发，现任根特大学建筑和城市规划系高级讲师。主要从事19世纪和20世纪建筑史研究，特别是钢筋混凝土在比利时的作用、ICT技术在建筑设计思维支持中的智能运用。
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[245]简·凡·康朋豪特：1972年获根特大学机电工程学士学位，先后于1975年和1978年获斯坦福大学电机工程硕士学位和博士学位，现任根特大学工学院电子信息系统系主任，主讲数字设计。主要研究兴趣为服务于建筑设计思维支持的信息系统开发以及信息处理系统中的创新技术。
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[246]参见Nigan Bayazit.“Investigating Design: A Review of Forty Years of Design Research”. Design Issues, 2004, 20(1): 16～29; Nigel Cross.“Forty Years of Design Research”. Design Research Quarterly, 2007, 1(2): 3～5。
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[247]参见Nigel Cross.“Styles of Learning, Designing and Computing”. Design Studies, 1985, 6(3): 157～162; Nigel Cross, Designerly Ways of Knowing. London: Springer-Verlag, 2006. 5～9。
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[248]参见Nigel Cross.“The Nature and Nurture of Design Ability”. Design Studies, 1990, 11(3): 132。
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[249]Charles S. Peirce. Collected Papers of Charles Sanders Peirce, vols. 1～6, ed. C. Hartshorne and P. Weiss. Cambridge: Harvard University Press, 1931-1935. vols. 7～8, ed. A. W. Burks. Cambridge: Harvard University Press, 1958
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[250]Moritz Stefaner et al.“MACE – Enriching Architectural Learning Objects for Experience Multiplication”. In: Lecture Notes in Computer Science 4753: Second European Conference on Technology Enhanced Learning, ed. Erik Duval, Ralf Klamma, et al. Berlin: Springer-Verlag, 2007. 322～336
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[251]Cross. Designerly Ways of Knowing
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[252]Nigel Cross.“Designerly Ways of Knowing”. Design Studies, 1982, 3(4): 221～227
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[253]Mary Douglas and Baron Isherwood. The World of Goods: Towards an Anthropology of Consumption. New York: Basic Books, 1979. viii
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[254]参见Cross. The Nature and Nurture of Design Ability. 132; Peirce. Collected Papers of Charles Sanders Peirce; Lionel March.“The Logic of Design and the Question of Value”. In: ed. Lionel March. The Architecture of Form. Cambridge: Cambridge University Press, 1976. 1～40; Joseph E. Bogen.“The Other Side of the Brain II: an Appositional Mind”. Bull Los Angeles Neurological Societies, 1969, 34(3): 135～162。
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[255]Keith J. Holyoak, Dedre Gentner, et al.“Introduction: The Place of Analogy in Cognition”. In: ed. Dedre Gentner, Keith J. Holyoak, et al. The Analogical Mind: Perspectives from Cognitive Science, Cambridge: MIT Press, 2001. 1～19
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[256]Dedre Gentner et al.“Metaphor Is Like Analogy”. The Analogical Mind. 200
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[257]Gabriela Goldschmidt.“The Dialectics of Sketching”. Creativity Research Journal, 1991, 4(2): 131～132
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[258]Bryan Lawson. How Designers Think - The Design Process Demystified. Oxford: Architectural Press, 2005
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[259]ryan Lawson.“Cognitive Strategies in Architectural Design”. Ergonomics, 1979. 22(1): 59～68
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[260]Lawson. How Designers Think. 138
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[261]Margaret A. Boden. The Creative Mind: Myths and Mechanisms. London: Weidenfeld and Nicolson, 1990, 29～36
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[262]Donald Schön. The Reflective Practitioner: How Professionals Think in Action. London: Temple Smith, 1983. 40
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[263]Nigel Cross.“Descriptive Models of Creative Design: Application to an Example”. Design Studies, 1997, 18(4): 439
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[264]Kees Dorst, Nigel Cross.“Creativity in the Design Process: Co-evolution of Problem-Solution”. Design Studies, 2001, 22(5): 425～437
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[265]Mary L. Maher, Josiah Poon.“Modeling Design Exploration as Co-evolution”. Microcomputers in Civil Engineering, 1996, 11(3): 195～209
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