打字猴:1.700030725e+09

1700030725 [247]参见Nigel Cross.“Styles of Learning, Designing and Computing”. Design Studies, 1985, 6(3): 157～162; Nigel Cross, Designerly Ways of Knowing. London: Springer-Verlag, 2006. 5～9。

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1700030727 [248]参见Nigel Cross.“The Nature and Nurture of Design Ability”. Design Studies, 1990, 11(3): 132。

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1700030729 [249]Charles S. Peirce. Collected Papers of Charles Sanders Peirce, vols. 1～6, ed. C. Hartshorne and P. Weiss. Cambridge: Harvard University Press, 1931-1935. vols. 7～8, ed. A. W. Burks. Cambridge: Harvard University Press, 1958

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1700030731 [250]Moritz Stefaner et al.“MACE – Enriching Architectural Learning Objects for Experience Multiplication”. In: Lecture Notes in Computer Science 4753: Second European Conference on Technology Enhanced Learning, ed. Erik Duval, Ralf Klamma, et al. Berlin: Springer-Verlag, 2007. 322～336

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1700030733 [251]Cross. Designerly Ways of Knowing

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1700030735 [252]Nigel Cross.“Designerly Ways of Knowing”. Design Studies, 1982, 3(4): 221～227

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1700030737 [253]Mary Douglas and Baron Isherwood. The World of Goods: Towards an Anthropology of Consumption. New York: Basic Books, 1979. viii

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1700030739 [254]参见Cross. The Nature and Nurture of Design Ability. 132; Peirce. Collected Papers of Charles Sanders Peirce; Lionel March.“The Logic of Design and the Question of Value”. In: ed. Lionel March. The Architecture of Form. Cambridge: Cambridge University Press, 1976. 1～40; Joseph E. Bogen.“The Other Side of the Brain II: an Appositional Mind”. Bull Los Angeles Neurological Societies, 1969, 34(3): 135～162。

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1700030741 [255]Keith J. Holyoak, Dedre Gentner, et al.“Introduction: The Place of Analogy in Cognition”. In: ed. Dedre Gentner, Keith J. Holyoak, et al. The Analogical Mind: Perspectives from Cognitive Science, Cambridge: MIT Press, 2001. 1～19

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1700030743 [256]Dedre Gentner et al.“Metaphor Is Like Analogy”. The Analogical Mind. 200

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1700030745 [257]Gabriela Goldschmidt.“The Dialectics of Sketching”. Creativity Research Journal, 1991, 4(2): 131～132

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1700030747 [258]Bryan Lawson. How Designers Think - The Design Process Demystified. Oxford: Architectural Press, 2005

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1700030749 [259]ryan Lawson.“Cognitive Strategies in Architectural Design”. Ergonomics, 1979. 22(1): 59～68

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1700030751 [260]Lawson. How Designers Think. 138

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1700030753 [261]Margaret A. Boden. The Creative Mind: Myths and Mechanisms. London: Weidenfeld and Nicolson, 1990, 29～36

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1700030755 [262]Donald Schön. The Reflective Practitioner: How Professionals Think in Action. London: Temple Smith, 1983. 40

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1700030757 [263]Nigel Cross.“Descriptive Models of Creative Design: Application to an Example”. Design Studies, 1997, 18(4): 439

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1700030759 [264]Kees Dorst, Nigel Cross.“Creativity in the Design Process: Co-evolution of Problem-Solution”. Design Studies, 2001, 22(5): 425～437

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1700030761 [265]Mary L. Maher, Josiah Poon.“Modeling Design Exploration as Co-evolution”. Microcomputers in Civil Engineering, 1996, 11(3): 195～209

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1700030763 [266]Josiah Poon, Mary L. Maher.“Co-evolution in Design: A Case Study of the Sydney Opera House”. In: ed. Yu-Tung Liu, Jin-Yeu Tsou. et al. Proceedings of the Second Conference on Computer Aided Architectural Design Research in Asia. Taipei: Hu’s publisher, 1997. 441

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1700030765 [267]Herbert A. Simon. The Sciences of the Artificial. Cambridge: MIT Press, 1996

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1700030767 [268]Herbert A. Simon. The Sciences of the Artificial. Cambridge: MIT Press, 1996, 25～30

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1700030769 [269]Herbert A. Simon. The Sciences of the Artificial. Cambridge: MIT Press, 1996, 27

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1700030771 [270]Vinod Goel, Peter Pirolli.“The Structure of Design Problem Spaces”. Cognitive Science, 1992, 16(3): 399

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1700030773 [271]A. Terry Purcell, John S. Gero.“Drawings and the Design Process: A Review of Protocol Studies in Design and Other Disciplines and Related Research in Cognitive Psychology”. Design Studies, 1998, 19(4): 389～430

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