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[51]J.Ruskin,Modern Painters
:Vol.Ⅰ,London:Smith,Elder,1843.在库克和韦德伯恩的“图书馆版”中，把这段文字放在了第三卷的第112—113页上。克劳德的作品已经挂在伦敦国家美术馆里了。一种类似的现代解读请见E.Shanes,Young Mr Turner
:J.M.W.Turner,A Life in Art.The First Forty Years,1775–1815,New Haven,CT,and London
:Yale University Press,2016,pp.454-456.
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[52]透纳把这幅画交给了国家美术馆，要他们把它挂在克劳德的画对面。他们始终遵循了这个指示。
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[53]全名为《被拖去解体的战舰“蛮勇”号》，画面为一艘小小的蒸汽轮船正拖曳着庞大的木制军舰“蛮勇”号。“蛮勇”号曾在特拉法尔加战役中立过战功。——译者注
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[54]Murray to Wellington,19 September 1845
:WND 2/132/82.Wellington Papers,Hartley Library,University of Southampton.
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[57]J.Rüger,The Great Naval Game
:Britain and Germany in the Age of Empire,Cambridge
:Cambridge University Press,2007.
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[58]Empire Day，英联邦日的旧称，为每年的5月24日。——译者注
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[59]1941年5月24日，“胡德”号在丹麦海峡拦截德国的“俾斯麦”号战列舰时，被其击中弹药库，舰体断裂，迅速沉没，全舰官兵几乎全部遇难。英国皇家海军立刻调集大量军舰对“俾斯麦”号进行追击，于5月27日将其击沉。——译者注
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[61]A.Roland,W.J.Bolster and A.Keyssar,The Way of the Ship
:America’s Maritime History Re envisioned,1600–2000,Hoboken,NJ
:John Wiley and Sons Inc.,2008,把美国海事时期的终结定在1817年。
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[62]R.H.Kohn,Eagle and Sword
:The Beginnings of the Military Establishment in America,New York
:Free Press,1975.
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[63]P.E.Pedisich,Congress Buys a Navy
:Economics,and the Rise of American Naval Power,1881–1921,Annapolis,MD
:USNIP,2016;J.Barlow,The Revolt of the Admirals
:The Fight for Naval Aviation 1945–1950,Annapolis,MD
:USNIP,1994.
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[64]E.P.Brenton,The Naval History of Great Britain,London
:Henry Colburn,1825,vol.5,pp.199205,and A.D.Lambert,‘Winning without Fighting
:British Grand Strategy and its Application to the United States,1815–1865’,in B.Lee and K.Walling,eds.,Strategic Logic and Political Rationality
:Essays in Honour of Michael J.Handel,Newport,RI
:United States Naval War College,2003,pp.164-195.
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[65]Lambert,‘Winning without Fighting’,p.176.
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[66]A.D.Lambert,‘Creating Cultural Difference
:The Military,Political and Cultural Legacies of the War of 1812’,in A.Forrest,K.Hagemann andM.Rowe,eds.,War,Demobilization and Memory
:The Legacy of War in the Era of Atlantic Revolutions,London
:Palgrave Macmillan,2016,pp.303-319.
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[67]W.H.Truettner and A.Wallach,eds.,Thomas Cole
:Landscape into History,New Haven,CT,and London
:Yale University Press,1994.科尔的画与透纳的“迦太基画像”之间的联系是很明显的。这组画的标题来自Lord Byron’s Childe Harold,pp.91-92.
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[68]D.Loveman,No Higher Law
:American Foreign Policy and the Western Hemisphere since 1776,Chapel Hill,NC
:University of North Carolina Press,2010,pp.100-114.
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[69]Roland,et al.,The Way of the Ship.
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[70]F.J.Turner,‘The Significance of the Frontier in American History’,in J.M.Faragher,ed.,Rereading Frederick Jackson Turner,New Hevan,CT.and London
:Yale University Press,1998,pp.30-60,at pp.33,43 and 59.一个以安德鲁·杰克逊总统（大陆扩张的主要倡导者）的名字命名的人提出这样的观点并不令人惊讶。
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[71]Faragher,ed.,‘Introduction’,Rereading Frederick Jackson Turner,p.10.
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[72]Mahan to Jameson,21 July 1913
:R.Seager and D.D.Macguire,Letters and Papers of Alfred Thayer Mahan,3vols.,pp.504-505;Seager,Alfred Thayer Mahan,p.596.马汉和特纳彼此认识：Seager,Alfred Thayer Mahan,pp.438-439,and Seager and Macguirem,Vol.3,pp.240 and 244。特纳在美国海军战争学院办过讲座，该学院就是从1903年起马汉撰写制海权论文的地方。R.A.Billington,Frederick Jackson Turner
:Historian,Scholar,Teacher,New York
:Oxford University Press,1973,486.
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[73]第二代帕默斯顿子爵亨利·约翰·坦普尔（1784—1865），1805—1828年在政府任职，1830—1841年、1846—1851年担任外交大臣，1855—1865年担任首相。（应为第三代帕默斯顿子爵。——译者注）
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[74]Lambert.Winning without Fighting,p.177.
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[75]D.Ahn,‘From“jealous emulation”to“cautious politics”
:British Foreign Policy and Public Discourse in the Mirror of Ancient Athens（ca.1730—ca.1750）’in D.Onnekink and G.Rommelse,eds.,Ideology and Foreign Policy in Early Modern Europe（1650–1750）,pp.93-130.
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