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37. Naylor and Paterson, “Cholesterol Policy and the Primary Prevention of Coronary Disease.”
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38. Taubes, Good Calories, Bad Calories. See page 19.
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39. J. Haidt et al., “Body, Psyche, and Culture: The Relationship between Disgust and Morality,” Psychology and Developing Societies 9 (1997): 107–131, quote from 121.
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40. A. R. Damasio, Descartes’ Error: Emotion, Reason, and the Human Brain (New York: Avon, 1994).
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41. Ibid., 173.
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42. C. M. Funk and M. S. Gazzaniga, “The Functional Brain Architecture of Human Morality,” Current Opinion in Neurobiology 19 (2009): 678–681.
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43. T. Wheatley and J. Haidt, “Hypnotic Disgust Makes Moral Judgments More Severe,” Psychological Science 16 (2005): 780–784.
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44. J. S. Borg, D. Lieberman, and K. A. Kiehl, “Infection, Incest, and Iniquity: Investigating the Neural Correlates of Disgust and Morality,“Journal of Cognitive Neuroscience 20 (2008): 1529–1546.
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45. J. Wechsberg, Blue Trout and Black Truffl es (New York: Alfred A. Knopf, 1954).
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第七章 食物与创造之旅
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1. S. Kawamura, “The Pro cess of Sub- Culture Propagation among Japa nese Macaques,” Primates 2 (1959): 43–54.
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2. T. Keller, S. Heller, and M. Ruhlman, The French Laundry Cookbook(New York: Artisan, 1999). Quote from p. 3.
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1700368474
3. F. Adrià, J. Soler, and A. Adrià, A Day at El Bulli: An Insight into the Ideas, Methods, and Creativity of Ferran Adrià (London: Phaidon, 2008).
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4. Ibid., insert between 240 and 241.
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5. G. Achatz, Alinea (Berkeley, CA: Ten Speed Press, 2008); G. Achatz,“Diner’s Journal: What Grant Achatz Saw at El Bulli,” New York Times, February 16, 2010.
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6. G. Cochran and H. Harpending, The 10,000 Year Explosion (New York: Basic Books, 2009), 127.
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1700368482
7. D. K. Simonton, Origins of Genius: Darwinian Perspectives on Creativity (New York: Oxford University Press, 1999).
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8. A. Flaherty, “Frontotemporal and Dopaminergic Control of Idea Generation and Creative Drive,” Journal of Comparative Neurology 493 (2005): 147–153, quote from 147.
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9. G. Miller, The Mating Mind (New York: Anchor Books, 2000).
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10. S. Blackmore, The Meme Machine (Oxford: Oxford University Press, 1999).
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11. C. Stanford, J. S. Allen, and S. C. Antón, Biological Anthropology: The Natural History of Humankind, 2nd ed. (Upper Saddle River, NJ: PrenticeHall, 2009).
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12. Discussed in T. I. Lubart, “Models of the Creative Pro cess: Past, Present, and Future,” Creativity Research Journal 13 (2000–2001): 295–308.
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13. Ibid.
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14. V. Drago et al., “What’s Inside the Art? The Infl uence of Frontotemporal Dementia in Art Production,” Neurology 67 (2006): 1285–1287.
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15. L. C. de Souza et al., “Poor Creativity in Frontotemporal Dementia: A Window into the Neural Basis of the Creative Mind,” Neuropsychologia 48 (2010): 3733–3742.
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