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1. S. Kawamura, “The Pro cess of Sub- Culture Propagation among Japa nese Macaques,” Primates 2 (1959): 43–54.
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2. T. Keller, S. Heller, and M. Ruhlman, The French Laundry Cookbook(New York: Artisan, 1999). Quote from p. 3.
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3. F. Adrià, J. Soler, and A. Adrià, A Day at El Bulli: An Insight into the Ideas, Methods, and Creativity of Ferran Adrià (London: Phaidon, 2008).
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4. Ibid., insert between 240 and 241.
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5. G. Achatz, Alinea (Berkeley, CA: Ten Speed Press, 2008); G. Achatz,“Diner’s Journal: What Grant Achatz Saw at El Bulli,” New York Times, February 16, 2010.
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6. G. Cochran and H. Harpending, The 10,000 Year Explosion (New York: Basic Books, 2009), 127.
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7. D. K. Simonton, Origins of Genius: Darwinian Perspectives on Creativity (New York: Oxford University Press, 1999).
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8. A. Flaherty, “Frontotemporal and Dopaminergic Control of Idea Generation and Creative Drive,” Journal of Comparative Neurology 493 (2005): 147–153, quote from 147.
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9. G. Miller, The Mating Mind (New York: Anchor Books, 2000).
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10. S. Blackmore, The Meme Machine (Oxford: Oxford University Press, 1999).
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11. C. Stanford, J. S. Allen, and S. C. Antón, Biological Anthropology: The Natural History of Humankind, 2nd ed. (Upper Saddle River, NJ: PrenticeHall, 2009).
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12. Discussed in T. I. Lubart, “Models of the Creative Pro cess: Past, Present, and Future,” Creativity Research Journal 13 (2000–2001): 295–308.
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13. Ibid.
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14. V. Drago et al., “What’s Inside the Art? The Infl uence of Frontotemporal Dementia in Art Production,” Neurology 67 (2006): 1285–1287.
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15. L. C. de Souza et al., “Poor Creativity in Frontotemporal Dementia: A Window into the Neural Basis of the Creative Mind,” Neuropsychologia 48 (2010): 3733–3742.
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16. Ibid.
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17. Flaherty, “Frontotemporal and Dopaminergic Control.”
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18. R. E. Jung et al., “Neuroanatomy of Creativity,” Human Brain Mapping 31 (2010): 398–409. The Creative Achievement Questionnaire is designed to assess creativity in ten different domains (visual arts, music, etc.); Jung and colleagues also mea sured “divergent thinking” (another experimental proxy for creativity) using a variety of design tasks, with the results consensually assessed by raters into a “composite creativity index.” Magnetic resonance images of the subjects’ brains (there were sixty- one subjects in total) were compared to one another, and a computer program was used to mea sure the correlation between the various creative mea sures and the cortical thickness— the surface gray matter— of the subjects’brains.
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19. H. Takeuchi et al., “Regional Gray Matter Volume of Dopaminergic System Associate with Creativity: Evidence from Voxel- Based Morphometry,” NeuroImage 51 (2010): 578–585.
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20. O. de Manzano et al., “Thinking Outside a Less Intact Box: Thalamic Dopamine D2 Receptor Densities Are Negatively Related to Psychometric Creativity in Healthy Individuals,” PLoS One 5 (2010): e10670.
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21. Flaherty, “Frontotemporal and Dopaminergic Control.”
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22. A. Harrington, Medicine, Mind, and the Double Brain (Prince ton: Prince ton University Press, 1987); S. Finger, Minds Behind the Brain (New York: Oxford University Press, 2000).
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23. R. Sperry, “Roger W. Sperry— Nobel Lecture,” 1981. Available at Nobelprize.org, http:// nobelprize.org/ nobel_prizes/ medicine/ laureates/ 1981/sperry-lecture.html.
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24. M. Jung- Beeman et al., “Neural Activity When People Solve Verbal Problems with Insight,” PLoS Biology 2 (2004): 0500–0510.
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25. A. Dietrich and R. Kanso, “A Review of EEG, ERP, and Neuroimaging Studies of Creativity and Insight,” Psychological Bulletin 136 (2010): 822–848; R. D. Whitman, E. Holcomb, and J. Zanes, “Hemispheric Collaboration in Creative Subjects: Cross- Hemisphere Priming in a Lexical Decision Task,” Creativity Research Journal 22 (2010): 109–118.
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