打字猴:1.701501502e+09
1701501502
1701501503 (199) Flam, Soziologie der Emotionen , 9.
1701501504
1701501505 (200) Turner,“ Sociology of Emotions”, 344.
1701501506
1701501507 (201) Turner,“ Sociology of Emotions”, 344—345.
1701501508
1701501509 (202) Turner, “Sociology of Emotions”, 346.
1701501510
1701501511 (203) 佩吉· 斯奥兹[Thoits, P. A. (1990). “Emotional deviance: Research agendas” . In T. D. Kemper(ed.), Research agendas in the sociology of emotions (Albany, NY: State University of New York Press), 180—203]通过强调实际情感和情感规则之间差异的来源、个人使用的各种情感管理策略和情感管理失败的情况,扩展了霍赫希尔德的理论。斯奥兹认为在下列这些情况下,实际情感和情感规则之间的差异都会增加:“当个人占据多个角色时(从而在情感之间建立潜在的角色冲突);当一个人的亚文化处于主流文化的边缘时(从而在两种文化预期之间产生冲突);当个体陷入角色转换时,可能产生情感压力或与情感规则冲突的模糊性;当情感规则和确定情感规则的仪式过于僵化,不允许有丝毫偏离时。”见Turner, “Sociology of Emotions”, 346。
1701501512
1701501513 (204) Turner, “Sociology of Emotions”, 347.
1701501514
1701501515 (205) Turner, “Sociology of Emotions”, 351.
1701501516
1701501517 (206) Turner, “Sociology of Emotions”, 347—351.
1701501518
1701501519 (207) 易洛思在不同学科之间穿梭,这一点或许解释了她为什么没有出现在弗拉姆非常全面的《情感社会学》(Soziologie der Emotionen )一书中。
1701501520
1701501521 (208) Eva Illouz, Consuming the Romantic Utopia: Love and the Cultural Contradictions of Capitalism (Berkeley and Los Angeles: University of California Press, 1997), 112.也见Eva Illouz, Gefühle in Zeiten des Kapitalismus: Adorno-Vorlesungen 2004 (Frankfurt am Main: Suhrkamp, 2006); Eva Illouz, Saving the Modern Soul: Therapy, Emotions, and the Culture of Self-Help (Berkeley and Los Angeles: University of California Press, 2008)。
1701501522
1701501523 (209) Illouz, Consuming the Romantic Utopia , 2.
1701501524
1701501525 (210) Illouz, Consuming the Romantic Utopia , 146.
1701501526
1701501527 (211) Illouz, Consuming the Romantic Utopia , 2.
1701501528
1701501529 (212) Illouz, Consuming the Romantic Utopia , 37.
1701501530
1701501531 (213) Illouz, Consuming the Romantic Utopia , 119, 120.
1701501532
1701501533 (214) 易洛思评论其采访时说:“我的受访者的所有经历都有一个明确的开始和一个紧凑的戏剧化结构。事件发生得很快,对主人公的情感产生了强烈的影响。所有的故事中都有障碍,阻碍了主人公将爱情故事带入婚姻或建立长久的关系。最后,它们不同于日常生活中正在进行的、更加模糊的情节,而是有一个明确的结尾:几乎所有这些令人难忘的爱情故事都有很强的叙事结尾。在50名受访者中,只有3人认为他们在接受采访时的恋爱关系最浪漫,其他所有人的故事都有一个明确的结尾。”见Illouz, Consuming the Romantic Utopia , 169。
1701501534
1701501535 (215) Illouz, Consuming the Romantic Utopia , 84—85.
1701501536
1701501537 (216) Illouz, Consuming the Romantic Utopia , 53.
1701501538
1701501539 (217) Illouz, Consuming the Romantic Utopia , 240.
1701501540
1701501541 (218) Illouz, Consuming the Romantic Utopia , 100.
1701501542
1701501543 (219) Illouz, Consuming the Romantic Utopia , 210—211.
1701501544
1701501545 (220) Illouz, Consuming the Romantic Utopia , 214,引用布尔迪厄《作为社会再生产策略的婚姻策略》(“Marriage Strategies as Strategies of Social Reproduction”)一文中的话,“幸福的爱情(就是社会认可的、注定成功的爱情)和命运之爱是同一回事,后者通过自由选择的方式将社会相容的伴侣聚集在一起,而这种自由选择只在表面上是不可预测的、偶然的”。这篇文章出自Robert Forster and Orest Ranum (eds.), Family and Society: Selections from the Annales, Économies,Sociétés, Civilisations , trans. Elborg Forster and Patricia M. Ranum (Baltimore: Johns Hopkins University Press, 1972), 117—144 [Fr. orig., “Les Stratégies matrimoniales dans le système de reproduction”, 1972],引言出自第140页。
1701501546
1701501547 (221) Umberto Eco, “Reflections on ‘The Name of The Rose’”, Encounter (April 1985), 7—18,here 17.
1701501548
1701501549 (222) Illouz, Consuming the Romantic Utopia, 175.
1701501550
1701501551 (223) 见Luhmann, Love as Passion 。
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