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Pain(痛苦),a simple idea(一种单纯的感觉);blackness naturally causes(黑色自然而然促发痛苦);Campanella able to bear(康帕奈拉能够忍受痛苦);caused visually(视觉上造成的痛苦);darkness naturally causes(黑暗自然而然促发痛苦);delight a pleasure relative to(欣喜是一种与痛苦相联的愉悦);exclusion from society a source of extreme(与社会隔绝会造成极度痛苦);horror excited by ideas of(痛苦引发的恐怖感觉);imagination most extensive source of(想象力是痛苦的广泛来源);indifference a neutral state between pleasure and(平淡是愉悦与痛苦的中间状态);is positive(痛苦是实在的、客观的);more powerful than pleasure(痛苦比愉悦更具力量);nature of pain on which sublime depends(崇高依赖于痛苦的本性);not caused by diminution of pleasure(愉悦的减少不会造成痛苦)pass.;on Locke’s views on pleasure and(论洛克关于愉悦和痛苦的观点);passions concerning self-preservation excited by(自保原则所支配的激情是因痛苦而来的);pleasure and(愉悦与痛苦);relation of taste and smell to(味觉、嗅觉和痛苦的关系);relation to grief(痛苦和忧伤的关系);sublime caused by objects which induce ideas of(那些可以促发痛苦感觉的事物均能令人感觉崇高);West(韦斯特)
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Painting(绘画),affects through force of sympathy(通过同情的作用而影响人);Apellesand shoe-maker(阿佩利斯与鞋匠);Bellini and Mahomet II(贝里尼和穆罕默德二世);clearness of representation in(绘画中的清晰和再现);colour in historical(历史画中的色彩);depiction of terrible scenes in(在画作当中描写恐怖的景象);Du Bos(杜博斯);emotively inferior to language(语言比绘画更能打动人);importance of imitation in(绘画中模仿的重要性);influence of Enquiry on(《探讨》一书对绘画的影响);poetry and(诗歌与绘画)
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Paradise Lost(《失乐园》),Burke cites(伯克引用)
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Perfection(完满),not the cause of beauty(不是美的原因);traditional association of beauty and(美和完满在传统上认为是相关联的)
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Persius(波西乌斯),Burke cites(伯克引用)
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Philosophiae Naturalis Principia Mathematica(《自然哲学的数学原理》),Burke alludes to(伯克提到)
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Physiognomy,The(相貌),source of beauty(作为美的来源)
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Picturesque,The(别致),Burke’s influence among advocates of(伯克对提倡别致的后来人的影响)
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Pilgrim’s Progress,The(《天路历程》),Burke mentions(伯克提到)
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Pindar(品达)
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Pitt(皮特),Christopher(克利斯朵夫);Burke cites(伯克引用)
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Pity(怜悯),Knight on relation between beauty and(奈特论美与怜悯的关系);love foundation of(怜悯的爱的基础);pleasure accompanies(愉悦伴随着怜悯)
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Plato(柏拉图);connects proportion,fitness and goodness with beauty(怜悯把比例、适合性、善与美结合起来)
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Pleasure(愉悦),a simple idea(一种单纯的感觉);beauty founded on positive(美建基于实在的愉悦之上);effect of cessation of(愉悦停止的影响);habit reduces(习惯消减愉悦);imagination the most extensive source of(想象是愉悦的最广泛来源);important element in grief(愉悦是忧伤的重要构成因素);indifference a neutral state between pain and(平淡是痛苦和愉悦的中间状态);is positive(愉悦是客观的、实在的);love excited by positive(实在的愉悦促发爱恋之情);not caused by diminution of pain(痛苦的消减不会导致愉悦);of feeling(touch)(触觉的愉悦);of terror(恐怖的愉悦);on Locke’s views on pain and(论洛克关于痛苦和愉悦的观点);pain more powerful than(痛苦远比愉悦有力量);physical relaxation the cause of(身体的放松是愉悦的原因);relative to pain called delight(与痛苦相结合时称为欣喜);sexual(性快感);social passions founded on(建基于愉悦之上的社会关系的激情);sympathetic(同情的愉悦)
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Pliny(普林尼)
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Plotinus(普罗提诺);Burke may alludes to(伯克可能暗指普罗提诺的观点)
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Poetics,The(《诗学》);Burke mentions(伯克提到)
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Poetry(诗歌),affects by sympathy(受同情原则的影响);description in(诗歌中的描写)pass.,Du Bos(杜博斯);effect of language of(诗歌语言的效果);function of reader of(诗歌读者的反应);images obscure in(诗歌中的模糊意象);Lessing(莱辛);magnificence in(诗歌中意象的富丽堂皇);not dependent on raising images(or“ideas”)(诗歌产生影响不靠促发意象);not imitative art(诗歌本质上不是一种模仿艺术);painting and(绘画与诗歌)
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Polyphemus(波吕斐摩斯)
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Pope(蒲柏),Alexander(亚历山大);Burke cites(伯克引用)
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Portland(波特兰),the Duke of(公爵)
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Power(力量);Baillie(贝利);Blair(布莱尔);bull as symbol of(公牛作为力量的象征);Dennis(丹尼斯);source of sublime because accompanied with terror(和恐怖相联便成为崇高的来源)
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Priam(普里阿摩斯)
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Price(普赖斯),Sir Uvedale(尤维达尔爵士),influence of Enquiry on architecture and gardening through(《探讨》一书通过普赖斯而对建筑和园艺产生的影响);lofty opinion of Enquiry(普赖斯对《探讨》一书的高度评价);on Reynolds(论罗诺兹)
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Prior(普赖尔),Sir J.
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