1701606020
C.Burke’s contemporaries and successors and(伯克同时代人和后继者):Barry(巴里);Beattie(贝蒂);Blair(布莱尔);Blake(布莱克);Coleridge(柯勒律治);Cox(考克斯);Diderot(狄德罗);Fuseli(福赛利);Gibbon(吉本);Gipin(吉尔平);Hardy(哈代);Johnson(约翰逊);Jones(琼斯);Kant(康德);Lessing(莱辛);Martin(马丁);Milner(米尔纳);Mortimer(莫蒂默);Price(普赖斯);Reynolds(雷诺兹);Thrale(Mrs.)(斯拉尔夫人);Walker(沃克);Ward(沃德);West(韦斯特);Whateley(惠特利);Wordsworth(华兹华斯)
1701606021
1701606022
Succession(and uniformity)(连贯一致);Baillie(贝利);compose artificial infinity(连贯一致构造了人为的无限);effect of(连贯一致的效果);Kant(康德);Milner(米尔纳)
1701606023
1701606024
Sweetness(甜美),cause of(甜美的原因);effect of(甜美的效果);the beautiful of taste(甜美是一种味觉上的美感)
1701606025
1701606026
Sympathy(同情);definition of(同情的定义);effect of poetry depends on(诗歌的效果依赖于同情原则);emotive power of language founded on(语词的动人力量建基于同情之上);Hume(休谟);one of passions of society(作为一种社会关系支配的激情);prompted by real(as opposed to fictitious)causes(同情由于实在的动因而促发,并非虚构的原因);physical manifestation of(同情的身体外在表现);source of delight(作为欣喜的来源);source of imaginative pleasure(作为想象的愉悦的来源);source of sublime(作为崇高的来源)
1701606027
1701606028
Synaesthesia(共通感)
1701606029
1701606030
Taste(趣味);abuse of term(对这一术语的滥用);Addison(艾迪生);Burke,Hume and(伯克、休谟关于趣味的观点);common standard of(趣味的一般标准);D’Alembert(达朗贝尔);definition of(趣味的定义);difference of degree in(审美趣味程度上的区别);Du Bos(杜博斯);extensive knowledge improves quality of taste,but limited knowledge does not diminish natural(精深的知识提高趣味,但知识不多并不减少天生的趣味);Hutcheson(哈奇森),x;imagination a constituent of(想象力是趣味的一个构成要素);Jones(琼斯);judgment essential to(判断力对审美趣味而言是必需的)pass.;Montesquieu(孟德斯鸠);not a separate faculty(趣味不是一个独立的功能);objects of(趣味之对象);sense of(physical)taste(趣味之功能);sensibility essential to(敏感性对趣味而言是必需的);sensory experience being common to all men permits common standard of(人们的共同感官经验使得趣味的一般标准得以可能);Voltaire(伏尔泰)
1701606031
1701606032
Terence(特伦斯),Burke cites(伯克引用)
1701606033
1701606034
Terror(恐惧);Baillie(贝利);Beattie(贝蒂);Blair(布莱尔);Cox(考克斯);darkness source of(黑暗会使人恐惧);Dennis(丹尼斯);Diderot(狄德罗);effect of power derives from(力量的效果来自恐惧)pass.;Fuseli(福赛利);general privations arouse(普遍的匮乏致使人恐惧);God as idea of(上帝是一个令人恐惧的观念);ideas of pain arouse(痛苦的观念令人恐惧);Johnson(约翰逊);Jones(琼斯);Kant(康德);Martin(马丁);moral effect of(恐惧的道德效果);Mortimer(莫蒂默);nature of(恐惧的本质);obscurity increases(模糊不清增强恐惧感);pleasure of(恐惧的愉悦);Price(普赖斯);Radcliffe(拉德克利芙);Smith(W.)(W.史密斯);sound may cause(声音可能令人恐惧);source of everything sublime(作为任何崇高事物之所以崇高的原因);Thomson(汤姆森);virtues which produce(令人恐惧的德行);West(韦斯特);Whateley(惠特利)
1701606035
1701606036
Thebaid,The(Statius)(《底比斯隐士的生活》,斯塔提乌斯著)
1701606037
1701606038
Thomas(托马斯),H.
1701606039
1701606040
Thomson(汤姆森),James(詹姆斯),beauty(美);sublime(崇高);synaesthesia(共通感)
1701606041
1701606042
Thrale(斯拉尔),Hester Lynch(赫斯特·林奇),Mrs.(夫人),influence of Enquiry on(《探讨》一书对斯拉尔夫人的影响)
1701606043
1701606044
Tragedy(悲剧),cause of tragic pleasure(悲剧带来的愉悦感的原因);traditional theory of(传统的悲剧理论)
1701606045
1701606046
Trinity College(圣三一学院),Dublin(都柏林),Burke enters(伯克入读该校);the Club(俱乐部)
1701606047
1701606048
Turner(特纳),J.M.W.
1701606049
1701606050
Ugliness(丑),idea of sublime consistent with(与崇高的观念相一致);nature of(丑陋的本质);opposite of beauty(与美相反对);proportion possible in(丑陋的事物亦可能符合比例)
1701606051
1701606052
Uniformity(一致),see Succession(参见“Succession”条)
1701606053
1701606054
Universal Spectator,The(《世界观众》)
1701606055
1701606056
Utility(有用性),see Fitness(参见“Fitness”条)
1701606057
1701606058
Vanbrugh(范布勒),Sir John(约翰爵士)
1701606059
1701606060
Vastness(or Greatness of dimension)(尺寸上的巨大);Baillie(贝利);confusion of greatness of size with sublimity(尺寸上的巨大会引致崇高);in architecture(建筑中的巨大);in painting(绘画中的巨大);source of sublime(作为崇高的来源);sublime possible without(没有巨大也可能有崇高);Whateley(惠特利)
1701606061
1701606062
Venus(维纳斯)
1701606063
1701606064
Vernet,Claude(克劳德)
1701606065
1701606066
Virgil(维吉尔).See also Aeneid and Georgics(参见“Aeneid”和“Georgics”条)
1701606067
1701606068
Vitruvius(维特鲁威),Marcus Pollio(马尔库斯·波利奥)
1701606069
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