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[37] Gay,The Enlightenment,240.
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[38] Diderot,Essais sur la peinture,197.
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[39] Diderot,Diderot on Art II,224.
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[40] See René Démoris,“Le langage du corps et l’expression des passions de Félibien à Diderot,” Des mots et des couleurs,vol. 2(Lille:Presses Universitaire de Lille,1987),64.
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[41] Diderot,Pensées détachées sur la peinture,la sculpture,l’architecture et la poésie pour servir de suite aux Salons(Paris:Ligaran,2015),10.
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[42] 还有一位作家表达了与我类似的观点,见John Hope Mason,The Irresistible Diderot(London:Quartet Books,1982),171。
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[43] 狄德罗在他的1781年沙龙展评论中谈到雅克-路易·达维德时说:“这位画家的作品极富风格、精神饱满,画中人物的面部表情生动而不做作,姿态自然而高贵。”Diderot,Héros et martyrs,Salons de 1769,1771,1775,1781(Paris:Hermann,1995),350.
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[44] 这类主题在勒·纳安兄弟的作品之后很不常见。See Emma Barker,Greuze and the Painting of Sentiment(Cambridge,UK:Cambridge University Press,2005).
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[45]Année littéraire,1761,Lettre 9,209.
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[46] Diderot,Essais sur la peinture,234.
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[47] Diderot,Diderot on Art I,97.
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[48] Diderot,Diderot on Art I,98.
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[49] Diderot,Diderot on Art I,98-99.
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[50] Diderot,Diderot on Art I,97-98.
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[51] Diderot,Diderot on Art I,99.
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[52] Diderot,Diderot on Art I,94.
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[53] Diderot,Diderot on Art Ⅱ,88.
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[54] Diderot,Diderot on Art Ⅱ,88-89.
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[55] 多多纳是位于希腊西北部的一个神谕处。
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[56] See Eik Kahng,“L’Affaire Greuze and the Sublime of History Painting,” Art Bulletin 86,no. 1(March 2004):96-113. Kahng指出,这幅画“是特例而不是常规”。Fragonard此后还创作了一系列“无法被归类”的绘画作品,其中包括家庭生活场景、幻想画作品,还有情色闺房画。
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[57] Eik Kahng,“L’Affaire Greuze and the Sublime of History Painting,” Art Bulletin 86,no. 1(March 2004),145-46.
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[58] 关于这一点的总结,见Tom Baldwin,“Ekphrasis and Related Issues in Diderot’s Salons,” in New Essays on Diderot,ed. James Fowler(Cambridge,UK:Cambridge University Press,2011),236。
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[59] Tom Baldwin,“Ekphrasis and Related Issues in Diderot’s Salons,” in New Essays on Diderot,ed. James Fowler(Cambridge,UK:Cambridge University Press,2011),146.
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[60] Norman Bryson,Word and Image:French Painting and the Ancien Régime(Cambridge,UK:Cambridge University Press,1981),155.
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[61] See Wilda Anderson,Diderot’s Dream(Baltimore:Johns Hopkins Univeristy Press,1990). See also Andrew Herrick Clark,Diderot’s Part:Aesthetics and Physiology(Hampshire,UK:Ashgate,2008).
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