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第三，“煽情指数”的建立，是迈向将煽情这个概念数量化的第一步，方便日后作为一种比较和测量的工具。但本文只是一个尝试，方法和细节上仍可改进，尤其是如何能把它“客观化”和“绝对化”，不太受事件或事件脉络所影响，是努力的方向。
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最后，本文发现在裸照事件报道中，出现一些混乱的情况。一个主要的原因是，原来应放在娱乐版的消息，被移送到本地新闻版甚至是要闻版。每个版面有其相对独立的运作逻辑和方式，当版面之间的界限被打破或模糊化，记者发现他们不知如何处理新闻。读者也不知如何接受这些新闻讯息，不知道应期望收到什么。科技发展一日千里，互联网威力惊人，令打破及模糊界限变得平常。这对新闻工作者和报道的方法有深远的影响，也是媒介批评研究的一个新方向。
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Reference
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Sparks,C.& Tulloch,J.（2000）,Tabloid Tales
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大众传播与媒介批评（首届两岸三地媒介批评学术研讨会论文集） [
:1704863524]
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Localizing a Global Amusement Park
:Hong Kong’s Disneyland
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Anthony Fung（冯应谦）[2]
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Disney as the American Way of Life
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In an age of triumphs of global media,how transnational media corporations through its commodity,cultural products or entertainment parks disseminates and promotes their“global”cultural values beyond national boundaries and how the homogenizing power over ideas,culture and commerce that affects,erases,distorts or allies with local values are intriguing academic concerns（Bagdikian,1989;Gershon,1997）.Among all global corporations,perhaps no company ever in Hong Kong has conveyed more powerfully the image of a conquering cultural army than Walt Disney.Disney’s expansion into Hong Kong is a typical example of a core-based multinational organization entering a“semiperipheral area”（McPhail,2002
:62）.
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