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k. Thoughts in a Still Night
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The luminous moonshine before my bed,
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Is thought to be the frost fallen on the ground.
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I lift my head to gaze at the cliff moon,
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And then bow down to muse on my distant home.
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（孙大雨译）
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两处遣词令全译生辉——the cliff moon和my distant home。
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l. Thoughts on a Silent Night
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Before my bed is a pool of light;
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Can it be frost upon the ground?
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Eyes raised, I see the moon so bright;
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Head bent, in homesickness I’m drowned.
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（许渊冲译）
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就美学表象而言，许教授的此译胜前译也。
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4 表层转换乃汉英翻译之敌
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桃花源记（陶渊明）
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Peach Blossom Spring (Tao Yuanming)
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比较《桃花源记》两个译本（译文1选自Gutenberg网站〔4〕，其译者是Rick Davis和David Steelman；译文2选自外语教学与研究出版社的《中国文学·古代散文选》，译者为杨宪益）。译者对英语汉语的美，必然见仁见智，其译文也必然各有长短。扬两译之长，避彼此之短，创改译之新，不失为翻译一乐，不失为砥砺译技之捷径也。
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1．晋太元中，武陵人捕鱼为业。缘溪行，忘路之远近。忽逢桃花林。
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译文1. During the Taiyuan era of the Jin Dynasty there was a man of Wuling who made his living as a fisherman. Once while following a stream he forgot how far he had gone, he suddenly came to a grove of blossoming peach trees.
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译文2. In the reign of Taiyuan of the Jin Dynasty, there was a man of Wuling who was a fisherman by trade. One day he was fishing up a stream in his boat, heedless of how far he had gone, when suddenly he came upon a forest of peach trees.
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首先，最可玩味的是陶渊明笔下的“忘路之远近，忽逢桃花林”，一个“忽”字，表面看，似乎在讲捕鱼人的感受，其实，“忽”字，虚则虚矣。它与上文的“忘路之远近”，构成呼应，且是下文（寻向所志，遂迷不复得路）之伏笔。一个“忽”字，含几分虚妄，却又言之凿凿。
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因此，这个“忽”字，不得不慎译。
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两译相比，译文2让人叫好。
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