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Some kinds of plastics can be forced through machines which separate them into long, thin strings, called “fibres”, and these fibres can be made into cloth.
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有些塑料可以通过机器将它们制成又细又长的线,这种被称为“纤维”的线可织布。
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我们明显地感到,原句中的两个被动结构的使用使全句上下贯畅,表达紧凑。假若变原句的被动语态为主动语态,其结果也同样难以设想。
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说到底,表达的成熟、语势的流畅及上下文的贯通,皆应归入练达美之范畴。
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〔1〕 柏拉图:《文艺对话集》,朱光潜译,北京:人民文学出版社,1963,第62页。
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〔2〕 朱光潜:《朱光潜美学文集》(第一卷),上海:上海文艺出版社,1982,第448页。
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〔3〕 《辞海》(第二卷),上海:上海辞书出版社,1999,第1467页。
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〔4〕 2005年9月10日检索于http://www.gutenberg.org/dirs/etext00/peach10.txt。
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〔5〕 伦道夫·夸克等,《英语语法大全》,苏州大学英语语法大全翻译组译,上海:华东师范大学出版社,1989,第528页。
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〔6〕 Shangri-la有三层含义:(1)理想乐园,世外桃源;(2)偏僻怡人的藏身之地;(3)(不知名的)秘密地区。
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翻译美学 本书参考文献
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Addison, J. 1970. The pleasures of the Imagination. In J. B. Walter (ed.), Criticism: The Major Texts. Harcourt Brace Jovanovich, Inc.
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Arnheim, R. 1949. The Gestalt theory of expression. Psychological Review 56: 156-171.
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Arnheim, R. 1986. The two faces of Gestalt Psychology. American Psychology 41 (7): 820-824.
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Asher, R. E. (ed.). 1993. The Encyclopedia of Language and Linguistics. Oxford: Pergamon Press.
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Austin, J. L. 1962. How to Do Things with Words. Oxford: Oxford University Press.
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Baldwin, J. M. (ed.). 1902. Dictionary of Philosophy and Psychology. New York: Macmillan.
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Ballmer, T. and M. Pinkal (eds.). 1983. Approaching Vagueness. Amsterdam: North Holland.
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Barnstone, W. 1993. The Poetics of Translation. New Haven and London: Yale University Press.
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Behrens, R. R. 1998. Art, design and Gestalt theory. Leonardo 31 (4): 299-303.
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Bell, R. T. 1991. Translation and Translating: Theory and Practice. London/New York: Longman.
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Benjafield, J. G. 1996. A History of Psychology. Boston: Allyn and Bacon.
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Benjamin, A. 1989. Translation and the Nature of Philosophy. London/New York: Routledge.
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