1705328680
56 Cabi，Târihi，I，p．507．
1705328681
1705328682
57 Yücel and Pulaha，I．Selim Kanunnameleri，pp．67，119，200-201，facsimile 43b-44a．
1705328683
1705328684
58 Kütükoğ lu，Narh，p．261．
1705328685
1705328686
59 Spataris，İstanbullular，p．217；Orga，Portrait，p．19．
1705328687
1705328688
60 Basmajean，Life，p．150．
1705328689
1705328690
61 Orga，Portrait，p．17．
1705328691
1705328692
62 Spataris，İstanbullular，p．216．
1705328693
1705328694
63 Spataris，İstanbullular，p．216．
1705328695
1705328696
64 Spataris，İstanbullular，p．216．
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1705328698
65 Edward William Lane，An Account of the Manners and the Customs of the Modem Egyptians，2 vols．（London，1836），II，p．36．
1705328699
1705328700
66 Abdülaziz Bey，Osmanlı，p．299．
1705328701
1705328702
67 The same theme appears in orta oyunu，the traditional theatre；Abdülaziz Bey，Osmanlı，p．403．
1705328703
1705328704
68 Evliya Çelebi，Seyahatnamesi，I Kitap，p．310．
1705328705
1705328706
69 Muhittin Sevilen，‘Çifte Hamamlar Oyunu Yahut Karagöz’ ün Dayak Yemesi’，in Muhittin Sevilen，Karagöz（Istanbul，1969），pp．92-112．Muhittin Sevilen，known as Hayali Küçük Ali，was one of tiie last great masters of traditional Turkish shadow theatre．
1705328707
1705328708
70 Sevilen，‘Çifte Hamamlar’，p．112．
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1705328710
71 Pardoe，Beauties of the Bosphorus，p．13．
1705328711
1705328712
72 Spandounes，Origin，p．134．
1705328713
1705328714
73 Busbecq，Letters，pp．119-120．
1705328715
1705328716
74 Grelot，Voyage，p．187．
1705328717
1705328718
75 Tournefort，Voyage，II，p．66；Tournefort，Relations，II，p．85．
1705328719
1705328720
76 Tournefort，Voyage，II，p．65；Tournefort，Relations，II，p．85．
1705328721
1705328722
77 Thévenot，Voyages，I，p．94．
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1705328724
78 Bassano，Costumi，f．2v．
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1705328726
79 Tournefort，Voyage，II，p．66；Tournefort，Relations，II，pp．85-86．
1705328727
1705328728
80 Sandys，Travailes，p．54．
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