打字猴:1.70532868e+09
1705328680 56 Cabi,Târihi,I,p.507.
1705328681
1705328682 57 Yücel and Pulaha,I.Selim Kanunnameleri,pp.67,119,200-201,facsimile 43b-44a.
1705328683
1705328684 58 Kütükoğ lu,Narh,p.261.
1705328685
1705328686 59 Spataris,İstanbullular,p.217;Orga,Portrait,p.19.
1705328687
1705328688 60 Basmajean,Life,p.150.
1705328689
1705328690 61 Orga,Portrait,p.17.
1705328691
1705328692 62 Spataris,İstanbullular,p.216.
1705328693
1705328694 63 Spataris,İstanbullular,p.216.
1705328695
1705328696 64 Spataris,İstanbullular,p.216.
1705328697
1705328698 65 Edward William Lane,An Account of the Manners and the Customs of the Modem Egyptians,2 vols.(London,1836),II,p.36.
1705328699
1705328700 66 Abdülaziz Bey,Osmanlı,p.299.
1705328701
1705328702 67 The same theme appears in orta oyunu,the traditional theatre;Abdülaziz Bey,Osmanlı,p.403.
1705328703
1705328704 68 Evliya Çelebi,Seyahatnamesi,I Kitap,p.310.
1705328705
1705328706 69 Muhittin Sevilen,‘Çifte Hamamlar Oyunu Yahut Karagöz’ ün Dayak Yemesi’,in Muhittin Sevilen,Karagöz(Istanbul,1969),pp.92-112.Muhittin Sevilen,known as Hayali Küçük Ali,was one of tiie last great masters of traditional Turkish shadow theatre.
1705328707
1705328708 70 Sevilen,‘Çifte Hamamlar’,p.112.
1705328709
1705328710 71 Pardoe,Beauties of the Bosphorus,p.13.
1705328711
1705328712 72 Spandounes,Origin,p.134.
1705328713
1705328714 73 Busbecq,Letters,pp.119-120.
1705328715
1705328716 74 Grelot,Voyage,p.187.
1705328717
1705328718 75 Tournefort,Voyage,II,p.66;Tournefort,Relations,II,p.85.
1705328719
1705328720 76 Tournefort,Voyage,II,p.65;Tournefort,Relations,II,p.85.
1705328721
1705328722 77 Thévenot,Voyages,I,p.94.
1705328723
1705328724 78 Bassano,Costumi,f.2v.
1705328725
1705328726 79 Tournefort,Voyage,II,p.66;Tournefort,Relations,II,pp.85-86.
1705328727
1705328728 80 Sandys,Travailes,p.54.
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