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14 Spataris，İstanbullular，p．62．
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1705328882
15 Sadri Sema，Hatıraları，p．160；Basmajean，Life，p．143；Vicente Blasco Ibañez，Fırtınadan Önce Şark．İstanbul 1907，trans．Neyyire Gül Işik（Istanbul，2007），p．55．
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1705328884
16 Basmajean，Life，p．143．
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1705328886
17 Basmajean，Life，p．143．
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1705328888
18 Smith，Constantinople，p．64．
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1705328890
19 Brassey，Sunshine，p．56．
1705328891
1705328892
20 Spataris，İstanbullular，p．62．
1705328893
1705328894
21 Brassey，Sunshine，p．53．
1705328895
1705328896
22 Smith，Constantinople，p．95．
1705328897
1705328898
23 Basmajean，Life，p. 144．
1705328899
1705328900
24 Thévenot，Voyages，I，p．159．
1705328901
1705328902
25 Spataris，İstanbullular，p．62．
1705328903
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26 Dwight，Constantinople，p．389．
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1705328906
27 Sadri Sema，Hatıraları，p．157．
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1705328908
28 Sadri Sema，Hatıraları，p．158．
1705328909
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29 Sadri Sema，Hatıraları，p．158；Brassey，Sunshine，p．59．
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1705328912
30 Basmajean，Life，p．144．
1705328913
1705328914
31 Saraçoğ lu，Hatıralar，p．250．A kuruş was a piaster coin．
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1705328916
32 Abdülaziz Bey，Osmanlı，p．267．
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33 Oita oyunu，also known as zuhuri kolu，meydan oyunu，taklit oyunu，kol oyunu or han kolu，was a traditional form of theatre performance．It involved two main characters，Kavuklu and Pişekar．
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1705328920
34 Metin And，Türk Tiyatrosunun Evreleri（Ankara，1983），pp．109-111．
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35 And，Evreleri，pp．110-112；Leyla（Saz）Hanımefendi，Harem，p．25；Alus，İstanbul，pp．65-68．
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36 Alus，İstanbul，p．65．
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37 Thévenot，Voyages，I，pp．95-96．
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38 Balıkhane Nazırı Ali Rıza Bey，Hayatı，pp．162-164；Sadri Sema，Hatıraları，pp．252-253；Abdülaziz Bey，Osmanlı，pp．395-398．
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