1705465950
1705465951
把我们召集起来,目的不是为美国提供大量捐款:参见《查尔斯·诺顿的自由讲座》。Turner Japes,The Liberal Education of Charles Eliot Norton(Baltimore
:Johns Hopkins University Press,1999),9.
1705465952
1705465954
1705465955
许多波士顿人和哈佛大学人前往日本和中国:参见《新英格兰的小阳春》。Van Wyck Brooks,New England Indian Summer(New York
:Dutton,1940),358.
1705465956
1705465957
东西方将合二为一:参见《费诺罗萨和他的圈子》。Van Wyck Brooks,Fenollosa and His Circle(New York
:Dutton,1962),49~50.
1705465958
1705465959
我自西飞来:同上。
1705465960
1705465961
中国屋:参见《东方旅程:伊莎贝拉·加德纳与同亚洲》。Alan Chong,Journeys East
:Isabella Stewart Gardner and Asia(Boston
:Isabella Stewart Gardner Museum,2009),31 et.seq.;also information provided by Anne-Marie Eze.
1705465962
1705465963
访问了日本、中国和东南亚国家:关于伊莎贝拉的中国之旅,参见《东方旅程》。Greg M.Thomas,“Dust and Filth and Every Kind of Picturesque and Interesting Thing,”and“Isabella Gardner’s Aesthetic Response to China,”in Chong,Journeys East,432,et.seq.
1705465964
1705465965
多想、少说、不动笔:参见《拥有骄傲:美国艺术收藏冒险家的生活、时代和品位》。Aline B Saarinen,The Proud Possessors
:The Lives,Times and Tastes of Some Adventurous American Art Collectors(New York
:Random House,1958),32.
1705465966
1705465967
伊莎贝拉喜欢抛头露面:参见《捐助者自画像》。John Walker,SelfPortrait with Donors(Boston
:Little Brown,1974),73.
1705465968
1705465969
关于但丁学会:参见《新英格兰的小阳春》。Van Wyck Brooks,New England Indian Summer,24 ff.
1705465970
1705465971
天啊,不,那太夸张了:参见《拥有骄傲》。Sarrinen,The Proud Possessors,36.
1705465972
1705465974
1705465975
壮丽的中世纪景色:参见《威廉·比奇洛生平》,1997年9月《哈佛杂志》。Curtis Prout,“Vita
:William Sturgis Bigelow,”Harvard Magazine,September 1997,accessible as http://harvardmagazine.com/1997/09/vita.html.
1705465976
1705465977
冲浪吧,老兄!晒晒太阳吧,老兄!:“Yesterday’s Island,”Nantucket,Vol.37
:10(June~July 2007),2.
1705465978
1705465979
忧郁驱除器、死尸复活剂和综合快乐器:参见《拥有骄傲》。Sarrinen,The Proud Possessors,32.
1705465980
1705465981
虚荣自负、爱管闲事和任性冲动:参见《伊莎贝拉的记忆宫殿》。Patricia Vigderman,The Memory Palace of Isabella Stewart Gardner(Louisville,KY
:Sarabande Books,2007),72.
1705465982
1705465983
灰色日本长和服:见约翰·洛奇致弗雷德里克·沙特克的信。John E.Lodge to Fredrick Cheever Shattuck,quoted in Proceedings of the Massachusetts Historical Society,Third Series,Vol.75(1963),108~109.
1705465984
1705465985
我的收藏,是我生命的日记,也是我从未抛弃过的唯一珍藏:见《肯尼思·克拉克:寻找文明》,2013年11月22日《金融时报》。JohnPaul Stonard,“Kenneth Clark
:Looking for Civilization,”Financial Times,November 22,2013.
1705465986
1705465987
罗斯是一个伟大收藏家:author interview with James Watt,May 2014.
1705465988
1705465989
我的动机是喜欢有条有理,喜欢美感:Deman Ross,“Notes for Autobiography,”undated,Box 37,Denman Ross Papers,HAMA.
1705465990
1705465991
《历代帝王图》:参见吴同《龙之国度的故事:千年中国画》。Tung Wu,Tales from the Land of the Dragon
:1000 Years of Chinese Painting(Boston
:Museum of Fine Arts,2003),127 et,seq.宁强认为此画是宋代摹本,见《帝王画像是正统的象征》,我们同意这个观点。Ning Qiang,“Imperial Portraiture as a Symbol of Political Legitimacy
:A New Study of the‘Portraits of Successive Emperors’,”Arts Orientalis,Vol.35(2008).
1705465992
1705465993
特别选择那13位皇帝背后的动机:参见《帝王画像是正统的象征》。Qiang,“Imperial Portraiture as a Symbol of Political Legitimacy,”99.
1705465994
1705465995
毁灭佛法:参见1932年2月《波士顿美术馆简报》。Kojiro Tomita,“Portraits of Emperors
:A Chinese Scroll Painting Attributed to Yen Lipen(died a,d.673),”Bulletin of the Museum of Fine Arts,Boston,Vol.30
:177(February 1932),2.
1705465996
1705465997
作为肖像画,这幅卷轴画的质量非同凡响:同上,8页。
1705465998
1705465999
罗斯说:“我怎么能够得到它”:参见富田幸次郎《亚洲艺术部史》。Kojiro Tomita,A History of the Asiatic Department(Boston
:Museum of Fine Arts,1990),14~15.
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