1705465970
1705465971
天啊，不，那太夸张了：参见《拥有骄傲》。Sarrinen,The Proud Possessors,36.
1705465972
1705465974
1705465975
壮丽的中世纪景色：参见《威廉·比奇洛生平》，1997年9月《哈佛杂志》。Curtis Prout,“Vita
:William Sturgis Bigelow,”Harvard Magazine,September 1997,accessible as http://harvardmagazine.com/1997/09/vita.html.
1705465976
1705465977
冲浪吧，老兄！晒晒太阳吧，老兄！：“Yesterday’s Island,”Nantucket,Vol.37
:10（June~July 2007）,2.
1705465978
1705465979
忧郁驱除器、死尸复活剂和综合快乐器：参见《拥有骄傲》。Sarrinen,The Proud Possessors,32.
1705465980
1705465981
虚荣自负、爱管闲事和任性冲动：参见《伊莎贝拉的记忆宫殿》。Patricia Vigderman,The Memory Palace of Isabella Stewart Gardner（Louisville,KY
:Sarabande Books,2007）,72.
1705465982
1705465983
灰色日本长和服：见约翰·洛奇致弗雷德里克·沙特克的信。John E.Lodge to Fredrick Cheever Shattuck，quoted in Proceedings of the Massachusetts Historical Society，Third Series，Vol.75（1963），108~109.
1705465984
1705465985
我的收藏，是我生命的日记，也是我从未抛弃过的唯一珍藏：见《肯尼思·克拉克：寻找文明》，2013年11月22日《金融时报》。JohnPaul Stonard,“Kenneth Clark
:Looking for Civilization,”Financial Times,November 22,2013.
1705465986
1705465987
罗斯是一个伟大收藏家：author interview with James Watt,May 2014.
1705465988
1705465989
我的动机是喜欢有条有理，喜欢美感：Deman Ross,“Notes for Autobiography,”undated,Box 37,Denman Ross Papers,HAMA.
1705465990
1705465991
《历代帝王图》：参见吴同《龙之国度的故事：千年中国画》。Tung Wu,Tales from the Land of the Dragon
:1000 Years of Chinese Painting（Boston
:Museum of Fine Arts,2003）,127 et,seq.宁强认为此画是宋代摹本，见《帝王画像是正统的象征》，我们同意这个观点。Ning Qiang,“Imperial Portraiture as a Symbol of Political Legitimacy
:A New Study of the‘Portraits of Successive Emperors’,”Arts Orientalis,Vol.35（2008）.
1705465992
1705465993
特别选择那13位皇帝背后的动机：参见《帝王画像是正统的象征》。Qiang，“Imperial Portraiture as a Symbol of Political Legitimacy,”99.
1705465994
1705465995
毁灭佛法：参见1932年2月《波士顿美术馆简报》。Kojiro Tomita,“Portraits of Emperors
:A Chinese Scroll Painting Attributed to Yen Lipen（died a,d.673）,”Bulletin of the Museum of Fine Arts,Boston,Vol.30
:177（February 1932）,2.
1705465996
1705465997
作为肖像画，这幅卷轴画的质量非同凡响：同上，8页。
1705465998
1705465999
罗斯说：“我怎么能够得到它”：参见富田幸次郎《亚洲艺术部史》。Kojiro Tomita,A History of the Asiatic Department（Boston
:Museum of Fine Arts,1990）,14~15.
1705466000
1705466001
我是家里留下的独苗：Denman Ross,“Notes for an Autobiography”.
1705466002
1705466003
不想参军后把妻子和独苗儿子留在河对岸就是敌人的辛辛那提：引自《邓曼·罗斯与美国设计理论》。Denman Ross,quoted in Marie Frank,Denman Ross and American Design Theory（Hanover,NH
:University Press of New England,2011）,20.
1705466004
1705466005
Information on the Ross family fortune provided in a telephone interview with Pat Pratt,November 1913.
1705466006
1705466007
我有大量有关古代法律的藏书：引自《邓曼·罗斯与美国设计理论》。Denman Ross,“Notes for an Autobiography,”quoted in Frank,Denman Ross and American Design Theory,44.
1705466008
1705466009
他身材魁梧、红光满面：参见《波士顿美术馆百年史》。Walter Muir Whitehall,Museum of Fine Arts Boston
:A Centennial History,Vol.1（Cambridge,MA
:Belknap Press,1970）,136.
1705466010
1705466011
诺顿进入教室：参见《谢迪希尔的定居者》，1982年3月《美国艺术与科学学院期刊》。John Voss et al.,“Residents of Shady Hill,”Bulletin of the American Academy of Arts and Science,Vol.35
:6（March 1983）,11.
1705466012
1705466013
他对弟子的影响极大：参见1937年3月《美国艺术与科学学院期刊》。Charles Hopkinson,“Denman Waldo Ross（1853-1935）,”Proceedings of the American Academy of Arts and Sciences,Vol.71
:10（March 1937）,544~545.
1705466014
1705466015
学习语言，但不当语言学家：参见《东亚艺术与美国文化》。Warren Cohen,East Asian Art and American Culture（New York
:Columbia University Press,1992）,112.
1705466016
1705466017
与古典艺术杰作相比，过于肤浅：Denman Ross,American National Biography Online,http://80-www.anb.org.library.nysoclib.org/artivles/17/17-00756.html?a=1＆n=DenmanRoss＆d=10＆ss=0＆q=1.
1705466018
1705466019
对自认为属于颓废艺术的，像希特勒一样坚决阻止其传播：参见《捐赠者自画像》。in Walker,Self-Portrait with Donors,24.
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