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1705466241
构建与纽约这座城市和大都会艺术博物馆规模相匹配的收藏:引自2013年第2期《美成在久》杂志。Alan Priest,“Recommendation for Purchase”(1929),quoted in Daisy Wang,“Papa’s Pagoda in Paris
:The Gift of the C.T.Loo Family Photographs to the Freer and Sackler Galleries,”Orientations,Vol.44
:2(February 2013),140.
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1705466243
龙门石窟的伟大浮雕:引自普艾伦写给温洛克的信。Priest to Herbert Winlock,February 15,1934,35.146,Curatorial Files Far Eastern Art,MMA.
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1705466245
正与老福开森神父、年轻可爱的史克曼、兰登·华尔纳和堪萨斯城串通实施某种阴谋:引自《东亚艺术与美国文化》。Cohen,East Asian Art and American Culture,118.
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1705466247
显得相当尴尬:引自史克曼写给华尔纳的信。Sickman to Warner,May 28,1934,Langdon Warner Files,Box 13,HUG 4872.1010,HUA.
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1705466249
如果山里面出事:引自《龙门石窟供养人:中世纪中国佛教雕塑中的信仰、政治与庇护》。Amy McNair,Donors of Longmen
:Faith,Politics and Patronage in Medieval Chinese Buddhist Sculpture(Honolulu
:University of Hawaii Press,2007),43.
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1705466251
那份合同一清二楚地表明:同上。
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1705466253
龙门石窟是如此遭受蹂躏的:引自普艾伦《大都会艺术博物馆所藏中国雕塑》。Alan Priest,Chinese Sculpture in the Metropolitan Museum of Art(New York
:MMA,1944),26.
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有关龙门石窟头像:see letter from C.T.Currelly to Edward Forbes,December 23,1936,Edward Waldo Forbes Papers(HC 2),File 1791,HAMA.
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现在,我已是古稀之年:引自卢芹斋公司的停业声明。“C.T.Loo,Inc.Announcement of Liquidation,”Copy in Langdon Warner Files,Loo Folder,HUG 4872.1010,HUA.
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1705466259
从原属国出口考古文物:引自中央古物保护委员会声明。National Commission for the Preservation of Antiquities(1931),copy in Carl Tilden Keller collection concerning Sir Aurel Stein,MS Am 2532,HLHU.
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我认为那是一种暴行:引自福布斯写给加德纳的信。Edward Forbes to Paul Gardner,April 25,1934,Edward Waldo Forbes Papers(HC 2),File 1215,HAMA.
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1705466263
如果我们因购买那些浮雕碎块遭受批评:引自鲍威《透过通信看华尔纳》。Bowie,Langdon Warner through His Letters,147.
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我深感羞愧:引自卢芹斋《中国石造像展览》前言。C.T.Loo,An Exhibition of Chinese Stone Sculptures,preface.
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据说,博物馆的主要功能之一,是保存过去的纪念物:引自《龙门石窟的碎块》,1941年5月《大都会艺术博物馆馆刊》。Alan Priest,“A Stone Fragment from Lung Men,”Metropolitan Museum of Art Bulletin 36,no.5(May 1941),115~116.
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宾阳洞那两块男女供养人的浮雕:同上,27页。
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那些浮雕很像我们人类:引自《龙门石窟供养人》。McNair,Donors of Longmen,43.
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整个项目得到了爱德华·福布斯的资助:引自史克曼写给费正清的信。Laurence Sickman to Wilma Fairbank,July 21,1981,courtesy of Holly Fairbank.
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1705466275
第六章 宾州大学套住唐皇骏马
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那是一个具有划时代意义的中国艺术国际展览会:见《皇家学院国际博览会目录,伦敦1935~1936》等。See Catalogue of the International Exhibition of Chinese Art,Royal Academy of Arts,London 1935-36(London
:Royal Academy of Arts,1935),8;Jason Steuber,“The Exhibition of Chinese Art at Burlington House,London,1935-36,”Burlington Magazine,August2006,528 et seq.;and France Wood,“Paul Pelliot,Aurel Stein and Chinese Opposition to the Royal Academy’s International Exhibition of Chinese Art1935-36,”http://www.britishmuseum.org/pdf/15_Wood-(Pelliot).pdf.
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不应该把重要、有价值的珍宝送到国外:引自詹姆斯·卡荷尔的博客。Wood,“Paul Pelliot,Aurel Stein and Chinese Opposition to the Royal Academy’s International Exhibition of Chinese Art1935-1936”,1;and James Cahill,“London 1935/36 Exhibition
:‘Early’Paintings from China,”James Cahill’s blog,http://www.jamescahill.info/the-writings-of-james-cahill/london-193536 exhibition-early-paintings-from-china.
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Attendance figures from Steuber,“The Exhibition of Chinese Art at Burlington House,Long(1935-1936),”528.
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王者以天下为家:参见中国网《唐昭陵》。China Information Center,“Zhaoling Mausoleum of the Tang Dynasty(618-907),”http://www.china.org.cn/english/features/atam/115391.htm(accessed May 7,2013).
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陵寝盘空曲:同上。
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见宫室制度闳丽,不异人间:引自周秀琴文章《昭陵:唐太宗皇帝陵墓》。Xiuqin Zhou,“Zhaoling
:the Mausoleum of Emperor Tang Taizong,”Sino-Platonic Papers(2009),112.We have relied on this work for much of the information on the Zhaoling Mausoleum and the six horses.Unless noted otherwise,references are from this online publication
:http://www.sinoplatonic.org/complete/spp 187_ taizong_emperor.pdf.
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它被分为三部分:同上,101~102页。
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