1705466250
1705466251
那份合同一清二楚地表明：同上。
1705466252
1705466253
龙门石窟是如此遭受蹂躏的：引自普艾伦《大都会艺术博物馆所藏中国雕塑》。Alan Priest,Chinese Sculpture in the Metropolitan Museum of Art（New York
:MMA,1944）,26.
1705466254
1705466255
有关龙门石窟头像：see letter from C.T.Currelly to Edward Forbes,December 23,1936,Edward Waldo Forbes Papers（HC 2）,File 1791,HAMA.
1705466256
1705466257
现在，我已是古稀之年：引自卢芹斋公司的停业声明。“C.T.Loo,Inc.Announcement of Liquidation,”Copy in Langdon Warner Files,Loo Folder,HUG 4872.1010,HUA.
1705466258
1705466259
从原属国出口考古文物：引自中央古物保护委员会声明。National Commission for the Preservation of Antiquities（1931）,copy in Carl Tilden Keller collection concerning Sir Aurel Stein,MS Am 2532,HLHU.
1705466260
1705466261
我认为那是一种暴行：引自福布斯写给加德纳的信。Edward Forbes to Paul Gardner,April 25,1934,Edward Waldo Forbes Papers（HC 2）,File 1215,HAMA.
1705466262
1705466263
如果我们因购买那些浮雕碎块遭受批评：引自鲍威《透过通信看华尔纳》。Bowie,Langdon Warner through His Letters,147.
1705466264
1705466265
我深感羞愧：引自卢芹斋《中国石造像展览》前言。C.T.Loo,An Exhibition of Chinese Stone Sculptures,preface.
1705466266
1705466267
据说，博物馆的主要功能之一，是保存过去的纪念物：引自《龙门石窟的碎块》，1941年5月《大都会艺术博物馆馆刊》。Alan Priest,“A Stone Fragment from Lung Men,”Metropolitan Museum of Art Bulletin 36,no.5（May 1941）,115~116.
1705466268
1705466269
宾阳洞那两块男女供养人的浮雕：同上，27页。
1705466270
1705466271
那些浮雕很像我们人类：引自《龙门石窟供养人》。McNair,Donors of Longmen,43.
1705466272
1705466273
整个项目得到了爱德华·福布斯的资助：引自史克曼写给费正清的信。Laurence Sickman to Wilma Fairbank,July 21,1981,courtesy of Holly Fairbank.
1705466274
1705466275
第六章 宾州大学套住唐皇骏马
1705466276
1705466277
那是一个具有划时代意义的中国艺术国际展览会：见《皇家学院国际博览会目录，伦敦1935~1936》等。See Catalogue of the International Exhibition of Chinese Art,Royal Academy of Arts,London 1935-36（London
:Royal Academy of Arts,1935），8;Jason Steuber，“The Exhibition of Chinese Art at Burlington House，London，1935-36，”Burlington Magazine，August2006，528 et seq.;and France Wood，“Paul Pelliot，Aurel Stein and Chinese Opposition to the Royal Academy’s International Exhibition of Chinese Art1935-36，”http://www.britishmuseum.org/pdf/15_Wood-（Pelliot）.pdf.
1705466278
1705466279
不应该把重要、有价值的珍宝送到国外：引自詹姆斯·卡荷尔的博客。Wood,“Paul Pelliot,Aurel Stein and Chinese Opposition to the Royal Academy’s International Exhibition of Chinese Art1935-1936”,1;and James Cahill,“London 1935/36 Exhibition
:‘Early’Paintings from China,”James Cahill’s blog,http://www.jamescahill.info/the-writings-of-james-cahill/london-193536 exhibition-early-paintings-from-china.
1705466280
1705466281
Attendance figures from Steuber,“The Exhibition of Chinese Art at Burlington House,Long（1935-1936）,”528.
1705466282
1705466283
王者以天下为家：参见中国网《唐昭陵》。China Information Center,“Zhaoling Mausoleum of the Tang Dynasty（618-907）,”http://www.china.org.cn/english/features/atam/115391.htm（accessed May 7,2013）.
1705466284
1705466285
陵寝盘空曲：同上。
1705466286
1705466287
见宫室制度闳丽，不异人间：引自周秀琴文章《昭陵：唐太宗皇帝陵墓》。Xiuqin Zhou,“Zhaoling
:the Mausoleum of Emperor Tang Taizong，”Sino-Platonic Papers（2009）,112.We have relied on this work for much of the information on the Zhaoling Mausoleum and the six horses.Unless noted otherwise,references are from this online publication
:http://www.sinoplatonic.org/complete/spp 187_ taizong_emperor.pdf.
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1705466289
它被分为三部分：同上，101~102页。
1705466290
1705466291
我是大唐王朝的天子：同上，17页，又见周秀琴《中国陕西昭陵的挖掘》。Zhou,“Excavations at Zhaoling,Shaanxi,China
:More Light on the Museum’s Chinese Horses Reliefs，”Expedition 47,No.2（2005）,38~39.
1705466292
1705466293
朕自征伐以来：引自周秀琴《昭陵》译文。translated in Zhou,“Zhaoling”，78.
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1705466295
过去，主人通常保留车幔和车盖：同上。fn 334.
1705466296
1705466297
拯救世界、抚慰百姓：同上，5页。
1705466298
1705466299
紫燕超跃：同上，80页。
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