打字猴:1.70546689e+09
1705466890
1705466891 在中国,没有我未踩过的道儿:参见劳费尔写给博厄斯的信,引自《中国的传奇》。Berthold Laufer to Franz Boas,November 9,1901,AMNH,Anthropology Archives,quoted in Haddad,The Romance of China,132.
1705466892
1705466893 总数惊人,包括了7500件文物:参见《人类学家眼中的中国》等。Kendall,“China to the Anthropologist,”9,10;Haddad,The Romance of China,134.(Their totals differ:Kendall says 7,500,Haddad more than 10,000.
1705466894
1705466895 做中国人更好、更健康:参见《贝特霍尔德·劳费尔》。Bronson,“Berthold Laufer”,118.
1705466896
1705466897 中国文化与我们的文化同样优秀,中国的许多东西甚至更好:引自劳费尔写给博厄斯的信。Laufer to Boas,June 3,1903,AMNH,Anthropology Archives.
1705466898
1705466899 希望自己是中国人:参见《贝特霍尔德·劳费尔》。Bronson,“Berthold Laufer”,124.
1705466900
1705466901 在中国搞收藏,别以为只是购物:参见劳费尔写给博厄斯的信,引自《最孤独的远征者:贝特霍尔德·劳费尔收藏中国》。Laufer to Boas,February 28,1902,quoted in Laurel Kendall,“A Most Solitary Expeditionist:Berthold Laufer Collecting China,”(to be published in 2015 as part of the Bard College Anthropology of Expeditions).
1705466902
1705466903 中国的浪漫也随之消亡:参见《现代中国收藏的历史观》。Laufer,“Modern Chinese Collections in Historical Light,”37~138.
1705466904
1705466905 被“公然忽视”:参见劳费尔写给博厄斯的信,引自《中国的传奇》。Laufer to Boas,April 27,1911,Boas-Laufer Correspondence,Ms.Division,American Philosophical Society,quoted in Haddad,The Romance of China,142.The results of Laufer’s collecting may be seen digitally on the AMNH website:http://anthro.amnh.org/asia.For information on the Field collection,see Bronson,“Berthold Laufer”,120.
1705466906
1705466907 他卖给了查尔斯·弗利尔两幅绘画:参见《贝特霍尔德·劳费尔》。Bronson,“Berthold Laufer,”122.For information on the catalogue of archaic jades,see Elinor Pearlstein,“Early Chicago Chronicles of Early Chinese Art,”fn.12,35,in Jason Steuber and Guolong Lai,eds.,Collectors,Collections and Collecting the Arts of China.
1705466908
1705466909 难道你当真相信我会玷污双手:引自劳费尔写给博厄斯的信。Laufer to Boas,Peking,February 1,1902,Boas papers,American Philosophical Archives,quoted in Walravens,ed.,Kleinere Schriften,Vol.3,pp.5,58.
1705466910
1705466911 我也见过另一个宝座,但它已是破烂不堪:参见《堪萨斯城时报》。Kanas City Times,November 9,1931.
1705466912
1705466913 在你家里,我吃惊地发现有如此多的好东西:引自劳费尔写给帕格斯利的信。Laufer to Frederic N.Pugsley,November 9,1931,enclosed in the letter from H.V.Jones to Langdon Warner,November 12,1931,Box 12,HUA.
1705466914
1705466915 一位董事给华尔纳写信:引自琼斯写给华尔纳的信。H.V.Jones to Langdon Warner,November 12,1931,Box 12,HUA.Information on the disposition of the Pugsley collection provided by Holly Wright,NAMA.
1705466916
1705466917 去年,我的藏品得到了极大丰富:参见《洛杉矶郡立博物馆引火烧身》一文。William Poundstone,“Los Angeles County Museum on Fire,”Blou in Art Info blog,April 15,2010,http://www.blouinartinfo.com/blog/los-angelescounty-museum-on-fire/jwn-munthe-international-man-of-mystery.
1705466918
1705466919 据学者德里克·吉尔曼报道:参见《蒙特将军的中国佛造像收藏》。Gillman,“General Munthe’s Chinese Buddhist Sculpture:An Embarrassment of Riches”in Tadeusz Skorupski,ed.,Buddhist Forum IV,Seminar Papers 1994-1996,98,http://www.shin-ibs.edu/academics/_forum/v 4.php.
1705466920
1705466921 首次察看那批东西的照片目录:参见《洛杉矶郡立博物馆之前的洛杉矶》,2000年第6期《美成在久》杂志。Karen Lansky and J.Keith Wilson,“Los Angeles before LACMA:Chinese Art at the Old County Museum,”Orientations,Vol.31:6(June 2000),48.
1705466922
1705466923 毫不不夸张地说:参见《蒙特将军收藏鉴定报告》。Berthold Laufer,“Report on the General J.W.N.Munthe Collection,”in Walravens,Kleinere Schriften,Vol.3,Briefwechsel,283 et.seq.
1705466924
1705466925 对此事感兴趣的任何人:参见《洛杉矶郡立博物馆之前的洛杉矶》。Lansky and Wilson,“Los Angeles before LACMA,”48.
1705466926
1705466927 那批藏品的真伪十分可疑:同上,49页。
1705466928
1705466929 征集那批藏品是一个“可怕错误”:同上。
1705466930
1705466931 显然,盗贼知道自己要什么:参见(挪威)英语新闻报道。News in English(Norway),January 7,2013.
1705466932
1705466933 他曾抨击一件小型唐代石棺上的铭文有假:参见《中国石棺》,1912~1913年《东亚研究季刊》I。Laufer,“Chinese sarcophagi,”Ostasiatische Zeitschrift I(1912-1913),318~334;and Jan Fontein,“Berthold Laufer and the Case of the Inscribed Sarcophagus,”Journal of the Museum of Fine Arts,Boston,Vol.5.(1993),4~23.
1705466934
1705466935 中国人破坏公共财物行为、贪婪、缺乏爱国主义:参见《东亚艺术与美国文化》。Cohen,East Asian Art and American Culture,108.
1705466936
1705466937 第十六章 美国中西部眼中的山水
1705466938
1705466939 是1961年在美国5家博物馆巡展的“中国艺术珍宝展”:参见《中国艺术珍宝展》图录。for details,see catalogue,Chinese Art Treasures(Washington,DC:Skira/National Gallery of Art,1961),with commentary by James Cahill,AschwinLippe,and John A.Pope.
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