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8. L 77r.
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9. CA 534v/199v–a.
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10. RL 12665r. 这几句话是他于1515年写下的“对大洪水的描述”笔记的增补内容，但毫无疑问，它记载了他更早在皮翁比诺的观察，那时大约是1504年秋天。
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11. K ir. 这一页已经严重褪色，第二行的正确拼读是在1979年通过红外线检测确定的。
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12. Ar Ir, written in early 1508, when he was beginning the task of organizing his manuscripts; cf. Leic 2r: ‘So, reader, you need not wonder, nor laugh at me, if here we jump from one subject to another.’
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13. F 35r; RL 19095v; RL 19070V (cf. 19115r: ‘Show the movement of the woodpecker’s tongue.’).
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14. CA 52or/191r–a; PC 2.313. He wrote this c. 1490–92, above a drawing of a spiral entitled ‘Corpo nato dalla prospettiva ’ (‘Body born of perspective’): see illustration on p. 58. On the same sheet, now separated (CA 521v/191v–b, R1368), he wrote, ‘M °[i.e. Maestro] Leonardo fiorentino in Milano.’ Other autographs in the notebooks: Fors 3 62v, c. 1493, written left to right (see illustration on p. 58); Fors 11 3v, ‘principiato da me Leonardo da Vinci ’, dated 12 July 1505; CA 1054r/ 379r–a, ‘Io Lionardo ’ – ‘I, Leonardo’.
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15. CU 122r–125v, McM 396–410.
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16. Michelangelo 1878, 12.
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17. The most comprehensive edition of Vasari’s writings remains the nine–volume Opere , ed. G. Milanesi (Florence, 1878–85; 2nd edn 1906), in which the annotated Life of Leonardo is 4.57–90. See also Le vite , ed. R. Batterani and P. Barocchi (4 vols., Florence, 1966–76). 最早的英译本是威廉·阿格兰比（William Aglonby）1685年编译的精选集；最容易理解的现代译本是由乔治·布尔翻译的版本 （Harmondsworth, 1987），《达·芬奇传》收录在1.255–71。关于我对瓦萨里和其他早期传记作者的选择性引用，参阅《资料来源：早期传记》。
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18. Biblioteca Nazionale, Florence, Codex Magliabechiano XIII 89 and XXV 636; see Benedettucci 1991.
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19. Codex Magliabechiano XVII 17. The account of Leonardo occupies fols. 88r–91v and 121v–122r. See Fabriczy 1893; Ficarra 1968.
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20. Giovio’s life of Leonardo (‘Leonardi Vincii vita ’) was first published by G. Tiraboschi in 1796; a parallel text in Latin and English is in Richter 1970, 1.2–3. Additional material on Leonardo, from another part of the Dialogi , is in PC 1.9–11.
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21. On the genesis of the Lives , see Boase 1971, 43–8.
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22. Material on Leonardo is also found in Lomazzo’s Sogni e raggionamenti (‘Dreams and discourses’), a manuscript of the early 1560s containing imagined dialogues (British Library, Add. MS 12196, 5or–224r, especially Raggionamenti 5 and 6, 117v–175r); and in his Idea del tempio della pittura (The Idea of the Temple of Painting ) (Milan, 1590). His writings are collected in Scritti sulle arti , ed. R. Ciardi (2 vols., Pisa, 1973).
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23. RL 12726. 可能也是由梅尔齐誊抄的一份副本，米兰安布罗西亚纳图书馆收藏。
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达·芬奇传：自由的心灵 第一章 童 年1452—1466
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陈年往事常如触手可及的当下，而近来发生的许多事情，却像逝去的青春那般遥远。
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——《大西洋古抄本》，fol. 29v—a
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达·芬奇传：自由的心灵 出 生
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500年前，这里的环境和现在相比没有太大差别。站在托斯卡纳芬奇小镇的山坡上放眼望去，一如今日，几个世纪的农耕塑造的景观一览无余：沿河丛生的芦苇、细窄狭长的葡萄园、镶嵌在绿荫中的房子； 在它们之上是一片橄榄树，当这些橄榄树被微风吹拂时，会闪着一种特别的光。橄榄树顺着梯田攀缘而上，朝着标志着阿尔巴诺山的高地边缘的那条多变、蜿蜒的林木线伸展。高处的山坡被森林覆盖，森林里长满了野生松树、月桂树、土耳其栎和甜栗树。山里的农民将栗子研磨成面粉，有的农民如今仍旧这样做，甜栗树在当地也曾被称为面包树。
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