1705658110
1705658111
27. Vasari 1876, 4.446.
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28. Hydraulic devices: CA 1069r/386r–b (illustrated), 1069v/386v–b; 26r/7r–a, 26v/7v–a; 1048r/376r–a (Zöllner 2003, nos. 509, 511–14). Hygrometer: Louvre, Cabinet des Dessins 2022; Zöllner 2003, no. 130. 瓦萨里也指出，列奥纳多“是第一个提出在比萨和佛罗伦萨之间的阿尔诺河开凿运河的年轻人”。这经常被认为与列奥纳多1503年至1504年展开的运河项目混淆而被忽略，其实这完全可能是他很早以前就开始酝酿的想法。15世纪20年代，即与佛罗伦萨交战期间，布鲁内莱斯基流产的淹没卢卡附近平原的运河计划可能是一个先例。
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1705658115
29. CA 42v/12v–a.
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1705658117
30. A 64r, c. 1490–92; PC 2.119–20. The treatise (Biblioteca Riccardiana, Cod. 211) may have been written for Toscanelli’s friend Brunelleschi.
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1705658119
31. CA 5r/1 bis r–a.
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1705658121
32. On Argyropoulos, see DBI; G. Cammelli, Giovanni Argiropulo (Florence, 1941).
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1705658123
33. Alberti, De re aedificatoria (1485), Bk 10, ch. 10; Pedretti 1976, 8.
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1705658125
34. Uffizi GDS 447E; Pedretti 1957, 211–16.
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1705658127
35. ‘Antonio da Pistoia’: CA 18r/4r–b. On Cammelli, see DBI; A. Capelli, ‘Notizie di Antonio Cammelli’, in Cammelli 1884, xxv–lix. 他有时也被称为安东尼奥·芬奇，点明了他的出生地，即圣皮耶罗—芬奇诺，当时这是皮斯托亚西城门外的一座村庄。
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1705658129
36. Capelli, ‘Notizie’ (see n. 35), xxxiii, xlii, citing Berni’s sonnet, ‘Il medico Guazzaletto’, and Aretino’s Ragionamenti .
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1705658131
37. Cammelli 1884, 180.
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1705658133
38. Ibid., 165.
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1705658135
39. CA 80r/28r–b.
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1705658137
40. CA 195r/71r–a; Pedretti 1957, 79–89; Luca Pulci, Pistole , 8.130–32.
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1705658139
41. CA 55r/16v–a; PC 2.386. Cf. Cammelli’s sonnet against Bellincioni, envisaging him ‘crowned with a wreath of stinging nettles’ (Cammelli 1884, 53). On Bellincioni see DBI, and Fanfani’s introduction to the Rime (Bellincioni 1876). 贝林乔尼称赞列奥纳多的“素描和色彩使用惊艳古今”（Sonnet 77, c. 1485–90），他还于1490年与列奥纳多在米兰合作。
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1705658141
42. National Music Museum, South Dakota, no. 4203 (http://www.usd.edu/smm); Winternitz 1982, 25–38; Katherine Powers, ‘The lira da braccio in the angel’s hands in Renaissance Madonna Enthroned paintings’, Music in Art 26 (2001).
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1705658143
43. Cellini 2002, 9–11.
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1705658145
44. T. Smollet, Travels through France and Italy (London, 1776), letter 27 (28 January 1765).
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1705658147
45. CU 18v, McM 41. On Ficino’s orphic hymns, see Yates 1965, 78–80.
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1705658149
46. RL 12697; my thanks to Sasha, who played me this melody. Another version of this riddle is in RL 12699.
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1705658151
47. 这件32英寸（85厘米）的复制品由克雷莫纳的鲁特琴演奏家乔治·斯科拉里和声学家安德烈亚·约里奥制作，2002年展出。那件有着怪兽头颅形状的弦乐器（BN 2037, fol. C, formerly part of MS B, c. 1487–90）是我们能接触到的最接近“头骨形七弦琴”的物件，可以想象，这可能是阿莫雷蒂所指的画稿（1804, 32–3）。On Leonardo’s other musical inventions, see Richter 1970, 1.69f., Winternitz 1982.
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1705658153
48. A 22v.
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1705658155
49. CA 888r/324r. Richter reads it as ‘Atalanta’ (R 680), though this legendary Greek beauty was usually depicted running rather than raising her face. On Migliorotti, see Vecce 1998, 72–5. There is a fragmentary draft of a letter to him (‘Talante’) by Leonardo (CA 890r/325r– b).
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1705658157
50. Louvre, Cabinet de Dessins 2022, c. 1480; Zöllner 2003, no. 130. 音乐家在右上角；这页纸上还有一幅湿度计设计图，且附有笔记，以及一些让人联想到《最后的晚餐》的人物素描。
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1705658159
51. RL 12276. 素描的下半部分是一个跪着的天使（BM 1913–6–17–1），也和这幅画有关，尽管不是这幅画的习作。
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