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24. Triv 6v, (R 891) with diagram.
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25. CA 184v/65v–b, R 1203, c. 1493.
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26. CA 950v/346v–a. ‘Spirits of wine’ = aqua vitae. Cf. B 3v: ‘Note how spirit collects in itself all the colours and scents of wild flowers.’
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27. B 15v–16r (illustrated), 36r–39r, etc. The lavatory: 53r. 在位于乌尔比诺的费德里科·达·蒙特费尔特罗工作室中，弗朗切斯科·迪·乔治·马尔蒂尼完成了一幅主题为“理想城市”的绘画，他在米兰认识了列奥纳多。在城市规划的后期（见本章第25条注释），列奥纳多设想了一种将米兰分成10个卫星城的方案，每个卫星城有5000处住宅。Cf. Fors 3 64V, which studies an area between the Porta Romana and the Porta Tosa, representing one of these tenths.
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28. CA 1059v/381v–b, c. 1485.
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29. Daily Telegraph , 17 March 2000 (preparation) and 27 June 2000 (jump); Sunday Times , 2 July 2000. The ‘coated linen’ (pannolino intasato , literally ‘blocked–up linen’) of Leonardo’sspecification probably means starched.
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30. Inventory nos. JBS 17r, v (both illustrated), 18r, v. 其中一则讽喻画（18r）画了蛇、狐狸和老鹰，很明显带有政治寓意，但其实际寓意为何很模糊：see Kemp 1989, 156–7。
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31. Triv 96r, 98r; G. Perro, Archivio storico Lombardo 8, Pt 4 (1881); R 676n.
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32. RL 19097, c. 1493.
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33. Kunsthalle, Hamburg; Zöllner 2003, no. 396.
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34. Popham 1946, 58.
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35. On the handwriting of MS B, see Marinoni’s introduction to the facsimile edition, 1990; Calvi 1925, 45; Pedretti 1995, 22.
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36. According to notes by Gulielmo Libri, one of the lost pages of MS B (fol. 3) bore the date 1482. See PC 2.401. 手稿fol. 94r（现在的BN 2037, fol. D）上残缺不全但清晰的轮廓，显然画的是站立的丽达。这幅素描也很神秘：目前已知的丽达素描几乎没有早于1504年的。这可能是偶然从后来的草稿纸上压印下来的。
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37. B 39v.
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38. B33r.
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39. Kemp 1989, 236–9; M. Cianchi 1984, 45–55. 这些设计图案和同样绘于1487年前后的CA 824v/302v–a上的扑翼飞机很像。B 74v上的设计是詹姆士·温克构建全尺寸模型时的主要参考来源（Tetra Associates for the Hayward Gallery, London, 1989）。模型的翼展超过35英尺，全长大概 10英尺。材料是列奥纳多特别准备的，或是当时只能取得这些，包括山毛榉木材、铁和黄铜、麻绳、油麻绳、皮革和动物油脂，重达650磅。这也暴露出列奥纳多的飞行器的最基本问题：缺乏一种足够轻的材料来达到飞行所需的功率重量比。
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40. B 89r.
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41. Kemp 1989, 236. On the evolution of Leonardo’s flying–machines, see Giacomelli 1936.
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42. B 88v.
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43. B83v. Cf. Pedretti 1957, 125–9; Giacomelli 1936, 78ff.
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44. “卢多维科大师”说的不是卢多维科·斯福尔扎，而可能是米兰工程师乔万·卢多维科·德·劳菲（Giovan Lodovico de Raufi，Calvi 1925，87）。
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45. Fors I2, 14 folios, 5.5×4 inches (13.5×10 cm), is the second of the two notebooks bound together as Forster Codex 1 (the first is later, c. 1505). 约翰·福斯特（John Forster）拥有《福斯特古抄本》，他是一名传记作家，也是狄更斯的朋友。
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46. Triv 2r. The Trivulzio Codex, 55 folios, 7.5×5 inches (19.5×13.5 cm), is midway in size between B and Fors 12. It was donated to the Castello Sforzesco in 1935.
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47. Belt 1949. On Bisticci: Jardine 1996, 137, 188–94.
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48. It might be an edition of Albertus Magnus’s work on minerals, e.g. Mineralium libriv (Rome, 1476). The ‘lapidario ’ of the Madrid list is thought to be Speculum Lapidum (The Mirror of Stones) by Camillo Leonardi di Pesaro, published in 1502 with a dedication to Cesare Borgia; Leonardo may have known the author. This book is too late for the Trivulzian reference.
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