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105. RL 12603. 基本理论可以在亚里士多德的《灵魂论》（De anima ）中找到，但列奥纳多修改了这个理论。
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106. RL 12613v.
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107. Many at Windsor (RL 12601, 12606–7, 19132, 19134–40 etc.), conveniently gathered and elegantly analysed in Clayton 2002; see also Biblioteca Reale, Turin, inv. no. 15574DC, and Accademia, Venice, inv. no. 236r, v (Zöllner 2003, 226, 229–30).
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108. Accademia, Venice, inv. no. 228.
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109. Villata 1999, no. 44.
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110. For Lorenzo’s reply, dated 8 August 1489, see L. Fusco and G. Corti, ‘Lorenzo de’ Medici on the Sforza monument’, ALV 10 (1997), 35.
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111. C 15v. Payment from Stanga: B 4r.
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112. RL 12318r, c. 1479；将斯福尔扎纪念碑的绘画风格与那张蓝色稿纸（RL 12319r）上的马更强健精细的比例做比较是很有趣的。
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113. RL 12358; Clark and Pedretti 1968, 1.41.
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114. RL 12357. 波莱沃洛为慕尼黑纪念碑绘制的素描上也画了这种俯伏在地的敌人。
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115. CA 399r/147r–b.这匹小跑的马后来从稿纸上裁下来了，现在是 RL12345。
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116. RL 12319 (R 716), ‘il ginetto grosso di Messer Galeazzo ’; RL 12294 (R 717), ‘Siciliano [“The Sicilian”] di Messer Galeazzo ’.
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117. Pietro Aretino to Vasari, 7 June 1536, in Lettere (Venice, 1538), 101v; PC 2.11.
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118. Noyes 1908, 254.
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119. Fors 3 49v, R 1512. 画谜中的平面图（RL 12692）复制后很难看清，因为只有少部分金属笔画的部分印上去了。平面图以同样的比例在CA217r—a中出现了。
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120. Baldassare Taccone, Coronazione e sposalitio de la serenissima regina Maria Bianca (Milan, 1493), 99.
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121. Matteo Bandello, Novelle (Lucca, 1554), 1.58, in Opere , ed. F. Flora (Milan, 1996), 1.646–7.
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122. CA 1006v/361v–b; PC 2.221.
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1705659218
123. Girolamo Cardano (Jerome Cardan), De subtilitate libri xxi (Basle, 1611), 816.
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124. Leic 9v, R 989.
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125. H3 137V, c. 1493–4.
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126. CA 207r/76r–a, R 1143; CU 20v, McM 51 (part of the paragone , or comparison, between painting and other arts.)
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① 20世纪初的英国漫画家，经常画奇思妙想的机械装置，因而他的名字也成为结构精美、外形古怪华丽但无使用价值的物件的代名词。
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