1705662137
68. MS D is a ‘meditated version’ of earlier notes and a testing by ‘isperienza ’, or experiment, of established authorities (Avicenna, Alhazen) on the subject (Pedretti and Cianchi 1995, 25).
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1705662139
69. RL 19007V.
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70. Pedretti 1965, 140.
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71. See Pedretti 1965 for a detailed reconstruction of Libro A.
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72. Ar 224r, 231v; Pedretti 1957, 90–98. 《大西洋古抄本》内曾有一页笔记（fol. 50），现在属于私人收藏，位于瑞士，这页笔记为场景布置和后台机械提供了更多的细节［C. Pedretti, RV 28 (1999), 186–97］。佩德雷蒂比较了这页画的配重系统和《巴黎手稿F》中的挖掘机的配重系统。在这页笔记的背面写着一段谈论水的简短的文字，这些文字可以与 Leic 18r–19v 和Ar 136r–137v上的内容联系在一起（Ar 136r–137v上的内容只是草稿，后来并入了《莱斯特古抄本》）。同样来自《阿伦德尔古抄本》的笔记页上还有关于乐器和音乐家的素描（音乐家素描是由列奥纳多的学生完成的），这些可能和音乐剧《奥菲欧》有关。
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73. RL 12282r; the profile is similar to one on Ar 137r.
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74. Corriere della sera , 13 September 2001; Guardian , 14 September 2001: ‘When restorers treated the work with alcohol and water to loosen it from its backing, the ink began to disappear.’ As well as in the Trivulzio estimate (see n. 58), the yellow–green ink is found in a study for the monument (RL 12356r), and in plans for the d’Amboise summer villa (see n. 6). A page with a sketch of the Trivulzio horse (CA 786v/29ov–b) has some heads gone over in the same ink by a pupil. See PC 2.15–17.
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1705662151
75. Archivio storico italiano 3 (1842), 207; Lomazzo 1973, 2.156.
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1705662153
76. CA 584r/218r–a.
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1705662155
77. S. Daniel, The Worthy Tract of Paulus Jovius (London, 1585), translated from Giovio’s Dialogo dell’imprese (written shortly before his death in Florence in 1552, and published in 1555); devices based on this and other works appear in Shakespeare’s Pericles (c. 1608) 2.ii. See H. Green, Shakespeare and the Emblem Writers (London, 1885).
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78. On Renaissance emblems, see M. Corbett and R. Lightbown, The Comely Frontispece (London, 1979), 9–34; F. Yates, ‘The emblematic conceit in Giordano Bruno’s De gli eroici furori ’, Journal of the Warburg and Courtauld Institutes 6 (1943), 180–209. Other important collections are Gabriello Symeoni, Imprese eroiche e morali (Lyons, 1559), Scipione Ammirato, Il Roto (Naples, 1562) and Girolamo Ruscelli, Le imprese illustri (Venice, 1566).
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79. RL 12701, cf. rough sketches on RL 12282. 雷蒂试图将它们和列奥纳多1502年为切萨雷·波吉亚的服务联系起来（Reti 1959），但我们基本可以确定，这些素描的时间大概是1508年至1509年。
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80. Clark notes that the word ‘tale ’ is missing from the motto in the earlier sketch on RL 12282: in other words the final form refers to a specific protector (‘such a star’), presumably King Louis. See Clark and Pedretti 1968,1.179.
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1705662163
81. M 4r. Cf. the purely scientific observation in CA728r/270r–a, c. 1510: ‘The strong wind kills the flame, the temperate wind feeds it.’ A similar emblem in G. Ruscelli, Emblemata (1583), bears the motto ‘Frustra ’ ( ‘Frustration’ or ‘Delay’ ).
1705662164
1705662165
82. RL 12700. 旁边的另一句写着：“‘我不厌倦做有用的人’，这是一句狂欢节的格言。”这朵鸢尾花（Embolden 1987,126）也出现在Ar 251v上，日期大约是同一天。
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1705662167
83. 一则边注写道：“烈火破坏了所有具有欺骗性的世故，只保留金子般的真理。”这句话中的用词类似化学或者炼金术用语：“世故”（sophistication）等同于“掺假”（adulteration）或“污浊”（impurity）。
1705662168
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84. CA 522r/192r–a.接着还有另一次付款“200法郎，汇率是48索尔迪等于1法郎”（大概是500里拉或125斯库迪）。这次付款由作家让·格罗利耶的父亲、财政官员艾蒂安·格罗利耶执行。艾蒂安1509年9月逝世，一名学徒，很可能是洛伦佐，把他过世的消息记录在了同一页上。
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85. F, inside cover.要结婚的妹妹或是嫁给托马索·达·马佩洛的洛伦齐奥拉，她1536年成为寡妇；或是嫁给巴蒂斯塔·达·贝尔加莫的安杰利娜，她1524年成为寡妇。
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86. RL 12280. The recto which contains the list has geometric studies; the verso has a large anatomical drawing transferred from RL 12281.On the date of these sheets, see Clark and Pedretti 1968, 1.78.
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1705662175
87. CA 669/247a.
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88. On Bossi, see DBI; Bossi 1982. Advice of Goethe: Pedretti 1998c, 122 n.6.
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1705662179
89. Biblioteca Ambrosiana, Milan, SP6/13E/B1.f.100, 196.
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90. M. Armellini, Un censimento della città di Roma sotto il pontificato di Leone X (Rome, 1887), 79, 90; Pedretti 1998c, 128.
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91. RL 12515上的头像旁有一则笔记（“不必破坏它就可以将它移除”）表明，模特头上的辫子只是发饰。
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92. RL 12281. On the Fabbri gate, see L. Beltrami, La pusterla dei Fabbri (Milan, 1900); it is marked (as ‘fabbri’) on Leonardo’s sketch–map of Milan, RL 19115V. On Alfei and Bellincioni, see Bellincioni 1876, 241–2.A Cremonese woman mentioned by Leonardo in H 62v, c. 1493–4 (‘A nun lives at La Colomba in Cremona, who does good work with strawplait’), seems unlikely to be La Cremona.
1705662186
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