1705664330
1705664331
104. CA 1109r/398v–c, PC 2.382.
1705664332
1705664333
105. CA 202a/74r–b, v–c, R 669. On Leonardo Dati see Pedretti 1972, 417–25.
1705664334
1705664335
106. Istorie fiorentine , Bk 5, ch. 33, in Machiavelli 1966, 2.656–7.
1705664336
1705664337
107. Numerous preparatory sketches, including battle studies (Accademia, Venice, nos. 214– 16; RL 12338–9), individual horsemen (RL 12340r; K 14v), horses in extremis (RL 12326r), and the superb figure studies and head studies at Budapest (Szépmüvészeti Muzeum, inv. nos. 1174, 1175). See Zöllner 2003, nos. 42–55
1705664338
1705664339
108. A 30v–31r, ‘Modo di figurare una battaglia ’.
1705664340
1705664341
109. Villata 1999, nos. 190–92. 1500年，列奥纳多完成了托瓦格利亚乡间别墅的草图。萨莱希望从列奥纳多对伊莉贝拉的请求的抗拒中获得好处：“列奥纳多·芬奇有个名叫萨莱的学生。他年纪轻轻但造诣匪浅，非常希望能为阁下您效劳。”（Luigi Ciocca to Isabella, 24 January 1505: ibid., no. 210）
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1705664343
110. Amadori to Isabella, 3 May 1506: ibid., no. 227.
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1705664345
111. For Michelangelo’s biography see DBI, s.v. Buonarroti; Bull 1996; Paul Barolsky, Michelangelo’s Nose: A Myth and its Maker (University Park, Pa., 1991). On the contemporary Life by Ascanio Condivi (1553), heavily influenced by Michelangelo himself, see Michelangelo 1987. On the rivalry with Leonardo, see Goffen 2002.
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1705664347
112. Vasari 1987, 1.337–8; Goldscheider 1940, 9–10. 一页两面都画着列奥纳多素描的稿纸最近出现在法国（苏富比拍卖行2000年7月5日售出，据报道一名瑞士藏家以1.3万英镑的成交价买下）。这幅精美的素描用粉笔和墨水绘成，描绘了拿着棍子的大力神赫拉克勒斯。佩德雷蒂猜测，这可能和列奥纳多为《大卫》石雕做的工作有关（Guardian , 18 September 2000），其纪念碑风格可能是对《大卫》的呼应，而非对尚未被雕成《大卫》的石料的一个想法。这可能还与列奥纳多一条涉及雕塑的备忘录有关：1508年左右为皮埃尔弗朗切斯科·吉诺里创作的《赫拉克勒斯的功债》（see Part III n. 62）。
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1705664349
113. Anthony Burgess, ‘Michelangelo: the artist as miracle worker’, Sunday Times , 2 February 1975.
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1705664351
114. Archivio dell’Opera del Duomo, Deliberazioni 1496–1507, 186; Villata 1999, no. 186.
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1705664353
115. Landucci 1927, 213–14.
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1705664355
116. 朱塞佩·佐基很久以后描绘圣三一广场的画作展现了宫殿北面和西面的墙，依然没有凉廊，一小群人聚集在西南角接近桥的地方，那里可能是凉廊的起点。See the reproduction in Hibbert 1994, 209.
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1705664357
117. Michelangelo to Giovanni Francesco Fattucci, 1523, in P. Barocchi and R. Ristori, eds., Il carteggio di Michelangelo (Florence, 1965–79), 3.7–9.
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1705664359
118. Vasari 1987, 1.341–2. Documents in the Fondazione Herbert Horne, Florence, confirm Vasari’s statement about Michelangelo’s tenancy of Sant’Onofrio. See L. Morozzi, ‘La Battaglia di Cascina di Michelangelo: nuova ipotesi sulla data di commisssione’, Prospettiva 53 (1988– 9), 320–24.
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1705664361
119. Ma II 128r, PC 1.327; L 79r. Cf. E 19v–20r, a passage beginning ‘O anatomical painter’, warning against an over–emphasis on ‘bones, sinews and muscles’ making a painting ‘wooden’.
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1705664363
120. RL 12591r.
1705664364
1705664365
121. Ar 148r–v, 149v.
1705664366
1705664367
122. CA 877r/319r–b, partially transcribed R 1534, addenda in PC 2.378.
1705664368
1705664369
123. CA 196r/ 71v–b, R 1526.
1705664370
1705664371
124. Ar 272r, R 1372; cf. Eissler 1962, app. C.
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1705664373
125. CA 178r/62v–a, R 1373A. Pedretti thinks the script, though written left to right, is ‘the type of handwriting found in the studies for the Arno canal’, i.e. 1503–4 (PC 2.319). The mechanical wing on the recto is reproduced in RV 17 (1954), fig. 6.
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1705664375
126. CA 541v/202v–a.
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1705664377
127. Ar 271v. ‘Jacopo Tedesco’, charged at 1 carlino per day for board and lodging, paid 15 grossini on 9 August and 1 florin on 12 August.
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1705664379
128. Ma II 2v–3r. See Reti 1968, pt 2; Maccagni 1974.
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