1705664359
118. Vasari 1987, 1.341–2. Documents in the Fondazione Herbert Horne, Florence, confirm Vasari’s statement about Michelangelo’s tenancy of Sant’Onofrio. See L. Morozzi, ‘La Battaglia di Cascina di Michelangelo: nuova ipotesi sulla data di commisssione’, Prospettiva 53 (1988– 9), 320–24.
1705664360
1705664361
119. Ma II 128r, PC 1.327; L 79r. Cf. E 19v–20r, a passage beginning ‘O anatomical painter’, warning against an over–emphasis on ‘bones, sinews and muscles’ making a painting ‘wooden’.
1705664362
1705664363
120. RL 12591r.
1705664364
1705664365
121. Ar 148r–v, 149v.
1705664366
1705664367
122. CA 877r/319r–b, partially transcribed R 1534, addenda in PC 2.378.
1705664368
1705664369
123. CA 196r/ 71v–b, R 1526.
1705664370
1705664371
124. Ar 272r, R 1372; cf. Eissler 1962, app. C.
1705664372
1705664373
125. CA 178r/62v–a, R 1373A. Pedretti thinks the script, though written left to right, is ‘the type of handwriting found in the studies for the Arno canal’, i.e. 1503–4 (PC 2.319). The mechanical wing on the recto is reproduced in RV 17 (1954), fig. 6.
1705664374
1705664375
126. CA 541v/202v–a.
1705664376
1705664377
127. Ar 271v. ‘Jacopo Tedesco’, charged at 1 carlino per day for board and lodging, paid 15 grossini on 9 August and 1 florin on 12 August.
1705664378
1705664379
128. Ma II 2v–3r. See Reti 1968, pt 2; Maccagni 1974.
1705664380
1705664381
129. RL 12676r On Il Botro see Part VII n. 26.
1705664382
1705664383
130. CA 765v/282 v–b.
1705664384
1705664385
131. At the castle: Ma II 24V, with a note beside it, ‘The ditch which I am straightening’. Demonstration: Ma II 25r (he actually writes ‘on the last day of November, All Saint’s Day’: another calendar mistake). Drying the marshland: CA 381r/139r–a. 这些排水和挖沟项目似乎呼应了近期中止的阿尔诺河分流计划：说明他的专业知识没有浪费。
1705664386
1705664387
132. Ma II 125r, PC 2.189.
1705664388
1705664389
133. RL 12665r; see introduction n. 10.
1705664390
1705664391
134. Ma II 112r.、
1705664392
1705664393
135. Villata 1999, nos. 211–12.
1705664394
1705664395
136. Tn 18r; Villata 1999, no. 218. Cf. Ma II 2r, ‘Saturday morning, 1 florin to Lorenzo’. In a memorandum of c. 1504–5 (CA 331r/120r–d, R1444) Leonardo writes, ‘Garzone che mi faccia il modello ’ (‘An assistant who could be a model for me’). Villata suggests this is Lorenzo, and that he was the model for the announcing angel on RL 12328r and the Louvre St John. See Villata 1999,184 n. 1, and RV 27 (1997).
1705664396
1705664397
137. GDA 19.516–7, s.v. Llanos and Yañez. 一位名叫费尔南多·利亚诺斯（Fernando Llanos）的同事的存在，使人们对“费兰多·斯帕尼奥洛”（Ferrando Spagnolo）就是费尔南多·亚涅斯（Fernando Yañez，可能也是“西班牙的费兰多”）这件事产生了怀疑。根据文献记录，他们1506年至1510年一起在巴伦西亚工作。但利亚诺斯的最晚记录是1516年，而亚涅斯则一直活到1531年。他们都在意大利接受培训，伊莎贝尔·马特奥·戈麦斯说，“他们将创新带到了文艺复兴时期的巴伦西亚绘画中”，亚涅斯更有天赋，他的作品比他的同事“更为古典、安静、清晰，构图也更广阔”。手稿H 94r–v上提到的“费兰多”可能也是他，他15世纪90年代曾在米兰逗留；这个名字出现在建筑师贾科莫·安德烈亚旁边。For another reference to a ‘Ferrando’ painting in Milan in 1494 see Vecce 1998, 152. 他可能也是列奥纳多米兰工作室的一员，尽管这在文献中没有体现。
1705664398
1705664399
138. Ma II 2r.
1705664400
1705664401
139. Tavola Doria (private coll., Munich): Zöllner 2003, 242–3. Zacchia engraving: Vecce 1998, plate 40. On the Rubens engraving see Zöllner 1991; there are copies of it in the Royal Collection at The Hague and the Armand Hammer collection in Los Angeles, and an engraving of it by Gerard Edelink (British Museum).
1705664402
1705664403
140. Villata 1999, no. 221.
1705664404
1705664405
141. Letter to Alberto Lollio, 17 August 1549, in A. F. Doni, Disegno (Venice, 1549), 47v–48r.
1705664406
1705664407
142. On the layout of the Council Hall, and difficulties of interpreting the evidence, see Rubinstein 1995, 73–5; Johannes Wilde (see n. 100), 75ff.
1705664408
[
上一页 ]
[ :1.705664359e+09 ]
[
下一页 ]