1705664568
1705664569
69. RL 19007V.
1705664570
1705664571
70. Pedretti 1965, 140.
1705664572
1705664573
71. See Pedretti 1965 for a detailed reconstruction of Libro A.
1705664574
1705664575
72. Ar 224r, 231v; Pedretti 1957, 90–98. 《大西洋古抄本》内曾有一页笔记（fol. 50），现在属于私人收藏，位于瑞士，这页笔记为场景布置和后台机械提供了更多的细节［C. Pedretti, RV 28 (1999), 186–97］。佩德雷蒂比较了这页画的配重系统和《巴黎手稿F》中的挖掘机的配重系统。在这页笔记的背面写着一段谈论水的简短的文字，这些文字可以与 Leic 18r–19v 和Ar 136r–137v上的内容联系在一起（Ar 136r–137v上的内容只是草稿，后来并入了《莱斯特古抄本》）。同样来自《阿伦德尔古抄本》的笔记页上还有关于乐器和音乐家的素描（音乐家素描是由列奥纳多的学生完成的），这些可能和音乐剧《奥菲欧》有关。
1705664576
1705664577
73. RL 12282r; the profile is similar to one on Ar 137r.
1705664578
1705664579
74. Corriere della sera , 13 September 2001; Guardian , 14 September 2001: ‘When restorers treated the work with alcohol and water to loosen it from its backing, the ink began to disappear.’ As well as in the Trivulzio estimate (see n. 58), the yellow–green ink is found in a study for the monument (RL 12356r), and in plans for the d’Amboise summer villa (see n. 6). A page with a sketch of the Trivulzio horse (CA 786v/29ov–b) has some heads gone over in the same ink by a pupil. See PC 2.15–17.
1705664580
1705664581
75. Archivio storico italiano 3 (1842), 207; Lomazzo 1973, 2.156.
1705664582
1705664583
76. CA 584r/218r–a.
1705664584
1705664585
77. S. Daniel, The Worthy Tract of Paulus Jovius (London, 1585), translated from Giovio’s Dialogo dell’imprese (written shortly before his death in Florence in 1552, and published in 1555); devices based on this and other works appear in Shakespeare’s Pericles (c. 1608) 2.ii. See H. Green, Shakespeare and the Emblem Writers (London, 1885).
1705664586
1705664587
78. On Renaissance emblems, see M. Corbett and R. Lightbown, The Comely Frontispece (London, 1979), 9–34; F. Yates, ‘The emblematic conceit in Giordano Bruno’s De gli eroici furori ’, Journal of the Warburg and Courtauld Institutes 6 (1943), 180–209. Other important collections are Gabriello Symeoni, Imprese eroiche e morali (Lyons, 1559), Scipione Ammirato, Il Roto (Naples, 1562) and Girolamo Ruscelli, Le imprese illustri (Venice, 1566).
1705664588
1705664589
79. RL 12701, cf. rough sketches on RL 12282. 雷蒂试图将它们和列奥纳多1502年为切萨雷·波吉亚的服务联系起来（Reti 1959），但我们基本可以确定，这些素描的时间大概是1508年至1509年。
1705664590
1705664591
80. Clark notes that the word ‘tale ’ is missing from the motto in the earlier sketch on RL 12282: in other words the final form refers to a specific protector (‘such a star’), presumably King Louis. See Clark and Pedretti 1968,1.179.
1705664592
1705664593
81. M 4r. Cf. the purely scientific observation in CA728r/270r–a, c. 1510: ‘The strong wind kills the flame, the temperate wind feeds it.’ A similar emblem in G. Ruscelli, Emblemata (1583), bears the motto ‘Frustra ’ ( ‘Frustration’ or ‘Delay’ ).
1705664594
1705664595
82. RL 12700. 旁边的另一句写着：“‘我不厌倦做有用的人’，这是一句狂欢节的格言。”这朵鸢尾花（Embolden 1987,126）也出现在Ar 251v上，日期大约是同一天。
1705664596
1705664597
83.一则边注写道：“烈火破坏了所有具有欺骗性的世故，只保留金子般的真理。”这句话中的用词类似化学或者炼金术用语：“世故”（sophistication）等同于“掺假”（adulteration）或“污浊”（impurity）。
1705664598
1705664599
84. CA 522r/192r–a.接着还有另一次付款“200法郎，汇率是48索尔迪等于1法郎”（大概是500里拉或125斯库迪）。这次付款由作家让·格罗利耶的父亲、财政官员艾蒂安·格罗利耶执行。艾蒂安1509年9月逝世，一名学徒，很可能是洛伦佐，把他过世的消息记录在了同一页上。
1705664600
1705664601
85. F, inside cover.要结婚的妹妹或是嫁给托马索·达·马佩洛的洛伦齐奥拉，她1536年成为寡妇；或是嫁给巴蒂斯塔·达·贝尔加莫的安杰利娜，她1524年成为寡妇。
1705664602
1705664603
86. RL 12280. The recto which contains the list has geometric studies; the verso has a large anatomical drawing transferred from RL 12281.On the date of these sheets, see Clark and Pedretti 1968, 1.78.
1705664604
1705664605
87. CA 669/247a.
1705664606
1705664607
88. On Bossi, see DBI; Bossi 1982. Advice of Goethe: Pedretti 1998c, 122 n.6.
1705664608
1705664609
89. Biblioteca Ambrosiana, Milan, SP6/13E/B1.f.100, 196.
1705664610
1705664611
90. M. Armellini, Un censimento della città di Roma sotto il pontificato di Leone X (Rome, 1887), 79, 90; Pedretti 1998c, 128.
1705664612
1705664613
91. RL 12515上的头像旁有一则笔记（“不必破坏它就可以将它移除”）表明，模特头上的辫子只是发饰。
1705664614
1705664615
92. RL 12281. On the Fabbri gate, see L. Beltrami, La pusterla dei Fabbri (Milan, 1900); it is marked (as ‘fabbri’) on Leonardo’s sketch–map of Milan, RL 19115V. On Alfei and Bellincioni, see Bellincioni 1876, 241–2.A Cremonese woman mentioned by Leonardo in H 62v, c. 1493–4 (‘A nun lives at La Colomba in Cremona, who does good work with strawplait’), seems unlikely to be La Cremona.
1705664616
1705664617
93. RL 12609.
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