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[367]Baudelaire,‘Salon de 1846’.
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[368]‘Le vieux Paris n’est plus(la forme d’une ville change plus vite,hélas!que le coeur d’un mortel).’Baudelaire,‘Le Cygne’,Les Fleurs du mal(1857).
1706331254
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[369]Du Camp,Paris,i,p.6.
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10 令人担忧的景象（1889—1918）
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[370]他伤心欲绝，在比利时伊克塞勒的情妇墓前自杀。
1706331260
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[371]D.Silverman,Art Nouveau in Fin-de-Siècle France.Politics,Psychology and Style(Berkeley,CA,1989),p.5.
1706331262
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[372]当然，埃菲尔铁塔是个风光的例外。机器展厅一直存在到1910年。
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[373]见下文，第12章。
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[374]正是因为这个原因，我才使用这个词。
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[375]D.Halévy,Pays parisiens(1932),p.161.
1706331270
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[376]J.Guichardet(ed.),Errances et parcours parisiens de RuteboeufàCrevel(1986),p.147.
1706331272
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[377]P.Pinon,Paris,biographie d‘ une capitale(1999),p.341,n.110.
1706331274
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[378]A.Sutcliffe,The Autumn of Central Paris.The Defeat of Town Planning,1850—1970(London,1970),p.191.
1706331276
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[379]Pinon,Paris,pp.228—229.
1706331278
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[380]Cited in J.P.Rioux,Chronique d‘ une fin de siècle.France 1889—1900(1991),p.47.
1706331280
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[381]R.Magraw,‘Paris 1917—1920
:Labour Protest and Popular Politics’,in C.Wrigley(ed.),Central and Western Europe,1917—1920(London,1993),p.127.
1706331282
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[382]G.Jacquemet,Belleville au XIXe siècle:du faubourgàla ville(1984),p.344.
1706331284
1706331285
[383]见上文，第9章。
1706331286
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[384]R.L.Herbert,Impressionism
:Art,Leisure and Parisian Society(London,1988),p.15;and P.Nord,Impressionists and Politics
:Art and Democracy in the 19th Century(London,2000),p.82.
1706331288
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[385]Post-Impressionism.Cross Currents in European Painting(London,1979),p.134.
1706331290
1706331291
[386]Rioux,Chronique,p.55.
1706331292
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[387]S.Gilson Miller(ed.),Disorienting Encounters.Travels of a Moroccan Scholar in France in 1845—1846.The Voyage of Muhammad As-Saffar(Berkeley,CA,1992),p.135.
1706331294
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[388]D’Avenel,1902,cited in T.Gronberg,Designs on Modernity.Exhibiting the City in 1920s Paris(Manchester,1998),p.74.
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1706331297
[389]P.D.Cate(ed.),The Graphic Arts and French Society,1871—1914(New Brunswick,NJ,1988),p.28.
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11 逝去的梦，失去的景（1918—1945）
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