打字猴:1.706975221e+09
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1706975222 [126] 李亚太:《甘肃甘谷大像山石窟》,《文物》1991年第1期,第56~60页;靳之林:《陕北发现一批北朝石窟和摩崖造像》,《文物》1989年第4期,第60~66、83页;李清泉:《济南地区石窟、摩崖造像调查与初步研究》,《艺术史研究》2000年第2期,第329~344页。
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1706975224 [127] 邵磊:《南京栖霞山千佛崖释迦多宝并坐像析》,《南方文物》2000年第3期,第50~62页。
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1706975226 [128] Audrey Spiro,“Cave Temple Fever and Its Southern Manifestations,” Unpublished Paper Delivered at the Meeting of the Association for Asian Studies,Washington,D.C.,1998.
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1706975228 [129] 宿白:《南朝龛像遗迹初探》,《考古学报》1989年第4期,第389页。
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1706975230 [130] 殷光明:《北凉石塔研究》,新竹,财团法人觉风佛教艺术文化基金会,1999;殷光明:《敦煌市博物馆藏三件北凉石塔》,《文物》1991年第11期,第64、76~83页;Eugene Y.Wong,“What Do Trigrams Have to Do With Buddhas?The Northern Liang Stupas as a Hybrid Spatial Model,” Res 35(1999):70-91。
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1706975232 [131] Yoshiko Kamitsuka,“Lao-tzu in Six Dynasties Taoist Sculpture,” p.63。神冢淑子(Kamitsuka)称,最泛指的道教像应该包括所有的神像,甚至包括中国宗教里崇拜的各种星辰、山岳形象。
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1706975234 [132] Wu Hung,“Mapping Early Taoist Art:The Visual Culture of Wudoumi Dao,” in Stephen Little and Shawa Eichman,eds.,Taoism and the Arts of China,pp.77-93.
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1706975236 [133] 关于五斗米道,参见Terry F.Kleeman,The Great Perfection:Religion and Ethnicity in a Chinese Millenial Kingdom. Honolulu:University of Hawai’i Press,1998。
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1706975238 [134] 一般来说,如“阴”“阳”观念也大致与道教有关,龙与虎相配则被看成宇宙力量的象征。在Stephen Little组织的道教展览中,在一件北魏石棺的侧板上有一幅很有意思的图像:动物以卷云纹的形式出现,并有神仙相伴,参见Stephen Little and Shawn Eichman,eds.,Taoism and the Arts of China. Chicago:The Art Institute of Chicago in Association with the University of California Press,2000,p.10。
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1706975240 [135] Wu Hung,“Mapping Early Taoist Art:The Visual Culture of Wudoumi Dao,” in Little and Eichman,eds.,Taoism and the Arts of China,p.83,figs.7-9.
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1706975242 [136] Wu Hung,“Mapping Early Taoist Art:The Visual Culture of Wudoumi Dao,” in Little and Eichman,eds.,Taoism and the Arts of China,p.85,fig.15.
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1706975244 [137] Wu Hung,“Mapping Early Taoist Art:The Visual Culture of Wudoumi Dao,” in Little and Eichman,eds.,Taoism and the Arts of China,p.86,figs.16a-16b.
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1706975246 [138] Wu Hung,“Mapping Early Taoist Art:The Visual Culture of Wudoumi Dao,” in Little and Eichman,eds.,Taoism and the Arts of China,p.87;Yoshiko Kamitsuka,“Lao-tzu in Six Dynasties Taoist Sculpture,” p.65.
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1706975248 [139] Stephen Little and Shawn Eichman,eds.,Taoism and the Arts of China,p.165;Yoshiko Kamitsuka,Lao-tzu in Six Dynasties Taoist Sculpture,p.66,神冢淑子估计只有约50种已知的道教老子形象,而佛像有2500多种。在其论文第68~69页列出了一个道像的单子,在她所列49种道像中,有7种仅见于文献,5件见于拓片。
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1706975250 [140] Stephen Little and Shawn Eichman,eds.,Taoism and the Arts of China,pp.167-168.
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1706975252 [141] Stephen Little and Shawn Eichman,eds.,Taoism and the Arts of China,p.171,图版33。这件造像很早就曾见诸报道,参见石夫《介绍两件北朝道教石造像》,《文物》1961年第12期,第54~55页。
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1706975254 [142] 石夫:《介绍两件北朝道教石造像》,《文物》1961年第12期,第55页。
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1706975256 [143] 神冢淑子称,在耀县藏有6件这样的佛道混合碑,参见Yoshiko Kamitsuka,“Lao-tzu in Six Dynasties Taoist Sculpture,” p.67。
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1706975258 [144] Stanley K. Abe,“Heterological Visions:Northern Wei Daoist Sculptures from Shaanxi Province,” Cahiers d’Extreme-Asie 9(1996-1997):69-83.
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1706975260 [145] Yoshiko Kamitsuka,“Lao-tzu in Six Dynasties Taoist Sculpture,” pp.66-67.
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1706975262 [146] Stephen R.Bokenkamp,“The Yao Boduo Stele as Evidence for ‘Dao-Buddhism’ of the Early Lingbao Scriptures,” Cahiers d’Extrme-Asia 9(1996-1997):55-67。神冢淑子也较详细地讨论了这块碑的铭文,Yoshiko Kamitsuka,“Lao-tzu in Six Dynasties Taoist Sculpture,” pp.72-77。
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1706975264 [147] Kristofer Schipper,“Purity and Strangers:Shifting Boundaries in Medieval Taoism,” T’oung Pao 80(1994):61-81.
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1706975266 [148] 成都市文物考古工作队、成都市文物考古研究所:《成都市西安路南朝石刻造像清理简报》,《文物》1998年第11期,第11~13页,图21及图版4.2。
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