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随机生存的智慧：黑天鹅语录 审美
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艺术是跟未被观察到的事物进行的单向交谈。
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伯努瓦·曼德勃罗的天才就在于，不必倚仗完美的形式，也能达到美学上的质朴。
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美会因毫不羞耻的缺乏规律和形之于外的错误得到强化和扩展。
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对“进步”的理解：我们所谓“丑陋”的地方都是现代的、人造的（例如纽瓦克），不是自然的或者历史的（例如罗马）。
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我们喜欢不完美—恰如其分的不完美，我们会为原创艺术品和充满错误的初始版本付大价钱。
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绝大多数人需要听到别人说“这是很美的艺术”才会跟着说“这是很美的艺术”；有些人需要听到两个人或者更多的人这样说，他自己才会跟着说。
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穆太奈比宣称自己是最伟大的阿拉伯诗人，他是在最伟大的阿拉伯诗歌里这么说的。
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才智的吸引力在于既表现出智力，又不惹人生厌。
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在古典雕塑作品中，男人身材瘦削，女人身材肥腴；在现代摄影作品中，正好相反。
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就像没有哪只猴子比哪怕最丑的人更漂亮一样，没有哪个书呆子比哪怕最糟糕的创造者更有价值。
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要是你想招一个诗人讨厌，就诠释他的诗歌。
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随机生存的智慧：黑天鹅语录 AESTHETICS
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Art is a one-sided conversation with the unobserved.
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The genius of Benoît Mandelbrot is in achieving aesthetic simplicity without having recourse to smoothness.
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Beauty is enhanced by unashamed irregularities; magnificence by a facade of blunder.
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To understand “progress”: all places we call “ugly” are both man-made and modern (Newark), never natural or historical (Rome).
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We love imperfection, the right kind of imperfection; we pay up for original art and typo-laden 1st editions.
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Most people need to wait for another person to say “this is beautiful art” to say “this is beautiful art”; some need to wait for two or more.
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Almutanabbi boasted that he was the greatest of all Arab poets; but he said so in the greatest of all Arab poems.
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Wit seduces by signaling intelligence without nerdiness.
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In classical renderings of prominent figures, males are lean and females are plump; in modern photographs, the opposite.
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Just as no monkey is as good-looking as the ugliest of humans, no academic is worthier than the worst of the creators.
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