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迪绍甫在揭示这些效应的政治范畴方面迈出了一大步，但是他忽视了其美学维度。笔者认为，朗西埃意义上的美学转向有利于描述行动主义人工物是如何通过改变城市体验的环境促进社会变化的。
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在融合这些视角的基础上，笔者提出了自己的框架。尽管这一框架并非完美无缺，但是朝着更全面的描述方向迈出了第一步。今后的城市设计工作和研究将会进一步充实这一框架。
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[333]托马斯·马库森拥有比较文学与符号学的文学硕士学位、交互设计的博士学位，现任丹麦科灵设计学院传达设计系副教授，主要研究兴趣为设计行动主义、新媒体艺术和交互设计。
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[334]Giovanna Borasi，Mirko Zardini, eds. Actions: What You Can Do with the City. Montréal: Canadian Centre for Architecture, 2008; Carl DiSalvo.“Design, Democracy and Agonistic Pluralism”. paper presented at the Design Research Society Conference, Montreal, July 7～9, 2010; Alistair Fuad-Luke. Design Activism: Beautiful Strangeness for a Sustainable World. London: Routledge, 2009; Lize Mogel, Alexis Bhagat. An Atlas of Radical Cartography. Canada: Journal of Aesthetics ＆ Protest Press, 2008; Ann Thorpe “Design as Activism: A Conceptual Tool”. paper presented at the Changing the Change Conference, Turin, Italy, July 10～12, 2008
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[335]参见http://designactivism.net/等，2011年2月访问。
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[336]Alistair Fuad-Luke. Design Activism: Beautiful Strangeness
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[337]Thorpe.“Design as Activism”; DiSalvo.“Design, Democracy and Agonistic Pluralism”
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[338]Brian Holmes.“Do-it-yourself Geopolitics”. In: Urban/Act: A Handbook for Alternative Practice, ed. atelier d’architecture autogérée, www.peprav.net/tool/IMG/pdf/URBAN-ACT_release.pdf，2010年2月访问。
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[339]Jacques Rancière. The Politics of Aesthetics. London: Continuum, 2004; Jacques Rancière. Dissensus: On Politics and Aesthetics. London ＆ New York: Continuum, 2010
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[340]Thorpe.“Design as activism”
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[341]Fuad-Luke. Design Activism: Beautiful Strangeness. 81
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[342]Fuad-Luke. Design Activism: Beautiful Strangeness. 10
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[343]DiSalvo.“Design, Democracy and Agonistic Pluralism”
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[344]参见Chantal Mouffe.“Deliberative Democracy or Agonistic Pluralism?”. Social Research, 1999, 66(3); Ernesto Laclau, Chantal Mouffe. Hegemony and Socialist Strategy: Towards a Radical Democratic Politics. London: Verso, 2001。
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[345]DiSalvo.“Design, Democracy and Agonistic Pluralism”
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[346]DiSalvo.“Design, Democracy and Agonistic Pluralism”. 5
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[347]试比较Oliver Marchart.“Art, Space and the Public Sphere(s): Some Basic Observations on the Difficult Relation of Public Art, Urbanism, and Political Theory”. European Institute for Progressive Cultural Policies. http://eipcp.net/transversal/0102/marchart/en，2010年2月5日访问。
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[348]Giovanna Borasi.“City 2.0”. in Actions: What You Can Do with the City. 21
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[349]Jacques Rancière. The Politics of Aesthetics.London: Continuum, 2004; Jacques Rancière. Dissensus: On Politics and Aesthetics. London: Continuum, 2010
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[350]Rancière. The Politics of Aesthetics. 12
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[351]Steven Corcoran.“Introduction”. In: Jacques Rancière. Dissensus: On Politics and Aesthetics. 2
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[352]Steven Corcoran.“Introduction”. In: Jacques Rancière. Dissensus: On Politics and Aesthetics. 2
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[353]Nigel Thrift. Non-Representational Theory: Space, Politics, Affect. London: Routledge, 2007. 52
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[354]Rancière. The Politics of Aesthetics. 13
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[355]参见http://www.appliedautonomy.com/isee.html，2011年2月10日访问。
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