打字猴:1.7003761e+09
1700376100 (8) 原文中的“自由人”(Freemen)应为“自由人管理局”(Freedmen’s Bureau)的简称。
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1700376102 (9) 此处根据https://en.wikipedia.org/wiki/White_slave_propaganda提供的信息。
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1700376104 (10) David Donald等, Civil War and Reconstruction,New York: Norton, 2001, p. 229。
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1700376106 (11) 关于朱拉隆功的政治生命,参见陈鸿瑜,《泰国史》(增订本),台北:商务印书馆,2015年,第184—209页。
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1700376108 (12) 一份很有深度的对暹罗内宫制度的分析是Tamara Loos,“Sex in the Inner City: The Fidelity between Sex and Politics in Siam”, The Journal of Asian Studies, vol.64, no. 4(Nov., 2005), pp. 881-909。
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1700376110 (13) Phonsiri Bunranakhet,“Nangnai: Chiwit thang sangkhom lae botbat nai sangkhom Thai samai ratchakan thi 5”[Inner Palace Women: Social Lives and Roles in Thai Society during the Reign of Rama V]. Master’s thesis, Thammasat University, 1997, p. 56.
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1700376112 (14) Malcolm Smith,A Physician at the Court of Siam. Reprint, Kuala Lump: Oxford University Press, 1982, p. 56.
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1700376114 (15) Leslie Woodhouse,“A Very ‘Modern’ Matron: Phra Rachya Dara Rasami as Promoter and Preserver of Lan Na Culture in Early Twentieth-Century Siam”, online book chapter, https://lesliecastrowoodhouse.com/listing-02/; idem,“Concubines with Cameras: Royal Siamese Consorts Picturing Femininity and Ethnic Difference in Early 20th Century Siam”, Trans Asia Photography Review 2.2(Spring 2012): Women’s Camera Work: Asia. http://hdl.handle.net/2027/spo.7977573.0002.202
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1700376116 (16) 参阅Tamara Loos,“Sex in the Inner City: The Fidelity between Sex and Politics in Siam,”pp. 889-891。
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1700376118 (17) 根据Leslie Woodhouse,“Concubines with Cameras: Royal Siamese Consorts Picturing Femininity and Ethnic Difference in Early 20th Century Siam”。个别事实参考了Mary Ellen Snodgrass, Women’s Art of the British Empire, Lanham : Rowman & Littlefield, 2020, p. 30。
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1700376120 (18) “Information about Thai Arts!”. Thailand.com. 20 August 2013.
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1700376122 (19) 关于她的身世和艺术活动,见Leslie Woodhouse,“A Very ‘Modern’ Matron: Phra Rachya Dara Rasami as Promoter and Preserver of Lan Na Culture in Early Twentieth-Century Siam”。
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1700376124 (20) Joachim K. Bautze, Unseen Siam: Early Photography 1860–1910,Bangkok:River Books, 2017.这本对早期暹罗摄影的详细介绍所包括的摄影师基本都是欧洲人。
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1700376126 (21) Leslie Woodhouse,“Concubines with Cameras: Royal Siamese Consorts Picturing Femininity and Ethnic Difference in Early 20th Century Siam,”note 42.参阅Eric Jones, Wives, Slaves and Concubines: A History of the Female Underclass in Dutch Asia,DeKalb, IL.: Northern Illinois University Press, 2010。
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1700376128 (22) Anek Nawikkamune,History of Early Thai Photography,Bangkok: Sara Khadi Publishing, 2005.
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1700376130 (23) Leslie Woodhouse,“Concubines with Cameras: Royal Siamese Consorts Picturing Femininity and Ethnic Difference in Early 20th Century Siam.”
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1700376132 (24) 许多书中把他的英文名错写为John Hepburn Dudgeon。John Hepburn Dudgeon实有其人,但是从未去过中国。参见R. G. Tiedemann, ed., Handbook of Christianity in China, vol. 2, Leiden: Brill, 2009, p.356, note 4。
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1700376134 (25) 德贞,《脱影奇观》原序,北京,同治十二年(1873)版,“元”册,第1页上。此项材料由摄影史研究者徐婷婷告知,特此致以谢意。
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1700376136 (26) 见Nick Pearce,Photographs of Peking, China 1861-1908, Lewiston, N.Y. :Edwin Mellen Press, 2005, pp. 24-35。
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1700376138 (27) 以下介绍中有关医学的部分基于高晞,《德贞传:一个英国传教士与晚清医学近代化》,上海:复旦大学出版社,2009年;《德贞:东西方医学文化的交流使者》,载《自然辩证法通讯》,2011年第4期,第101—110页。其他文献中,Nick Pearce,Photographs of Peking, China 1861-1908对德贞的早年生涯和在摄影方面的贡献有比较详细的讨论。
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1700376140 (28) Peking: PUMC Weekly Calendar, 11 December, 1940: 88.译文出自高晞,《德贞:东西方医学文化的交流使者》,载《自然辩证法通讯》,2011年第4期,第101—110页。
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1700376142 (29) 见Nick Pearce, Photographs of Peking, China 1861-1908,p.27。
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1700376144 (30) 德贞,《镜影灯说》,载《中西闻见录》,1873年第9期,第11—15页。关于幻灯技术在中国的早期历史,见孙青,《魔灯镜影:18—20世纪中国早期幻灯的放映、制作与传播》,载《近代史研究》,2018年第4期,第65—83页。
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1700376146 (31) 德贞,《镜影灯续稿》,载《中西闻见录》,1873年第10—12期,第8—13页。
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1700376148 (32) 完颜崇厚,《脱影奇观序言》,载《脱影奇观》,北京,同治十二年(1873)版。
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