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(124) Lutz, Unnatural Emotions , 3, 22, 26, 29, 39, 151.
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(125) Lutz, Unnatural Emotions , 14—17.
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(126) Lutz, Unnatural Emotions , 3.
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(127) Lutz, Unnatural Emotions .
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(128) Lutz, Unnatural Emotions , 3—4.
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(129) Lutz, Unnatural Emotions , 4.
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(130) Lutz, Unnatural Emotions , 5，原文强调。
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(131) Lutz, Unnatural Emotions , 8.
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(132) 权势较低的伊法利克人如果想要处罚岛上居民的侵犯行为，会说他违反了首领的“song”，而不是违反了禁忌，见Lutz, Unnatural Emotions , 169, 158。关于“song”，见Lutz, Unnatural Emotions , ch. 6。
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(133) Lutz, Unnatural Emotions , 120, 134.
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(134) Lutz, Unnatural Emotions , 136.
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(135) Lutz, Unnatural Emotions , 215, 55.
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(136) Lutz, Unnatural Emotions , 56.
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(137) Lutz, Unnatural Emotions , 56—7, 62, 67, 73.
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(138) Lutz, Unnatural Emotions , 61, 71—72.
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(139) Lutz, Unnatural Emotions , 92—94, 88—89, 82, 102—103, 87—88.
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(140) Lutz, Unnatural Emotions , 128, 149, 152, 219.
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(141) 许多历史学家在看到这些民族志中的照片时会感到困惑，这些都是那个时代的产物，这些人类学家穿着老式的牛仔裤、20世纪70年代的衬衫，留着长发，站在“原住民”旁边。这些照片几乎没有经过任何分析，即使是对图片稍微感兴趣的历史学家也会感到吃惊。卢茨给一系列带有面部表情的照片配上的文字说明突然显得过于简单化了，比如有一张照片上是一位露出乳房的母亲保护着自己赤裸的孩子，文字说明是：“摄影师告诉小女孩篮子里有一根皮下注射针，小女孩吓坏了，她的妈妈对她微笑着。”见Lutz, Unnatural Emotions , 50。关于旧式的民族志摄影中重要的去本质化，见Christopher Pinney,Photography and Anthropology (London: Reaktion Books, 2011)。
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(142) 不要和歌颂奎师那与湿婆的舞曲“raasa”或“raas”混为一谈。见Susan L. Schwartz, Rasa: Performing the Divine in India (New York: Columbia University Press, 2004; repr. Delhi: Motilal Banarsidass, 2008), 20。
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(143) 见Susan L. Schwartz, Rasa: Performing the Divine in India (New York: Columbia University Press, 2004; repr. Delhi
:Motilal Banarsidass, 2008), 8.
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(144) Phillip B. Zarrilli, “Pychophysical Acting in India”, in Zarrilli, Jerri Daboo, and Rebecca Loukes (eds), Acting: Psychophysical Phenomenon and Process (Basingstoke: Palgrave Macmillan, 2013), 72．又见Phillip B. Zarrilli, Kathakali Dance-Drama: Where Gods and Demons Come to Play (London: Routledge, 2000)。
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(145) Schwartz, Rasa , 4．对《戏剧学》的评注有很多，见Phillip B. Zarrilli, “Pychophysical Acting in India”, in Zarrilli, Jerri Daboo, and Rebecca Loukes (eds), Acting: Psychophysical Phenomenon and Process (Basingstoke: Palgrave Macmillan, 2013), 72．又见Phillip B. Zarrilli, Kathakali Dance-Drama: Where Gods and Demons Come to Play (London: Routledge, 2000), 17。
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(146) Balwant Gargi, Theatre in India (New York: Theatre Arts Books, 1962), 12；转引自Schwartz,Rasa , 15。
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(147) Zarrilli, “Pychophysical Acting in India”, 72.
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(148) 见Richard A. Shweder and Jonathan Haidt, “The Cultural Psychology of the Emotions: Ancient and New”, in Michael Lewis and Jeannette M. Haviland-Jones (eds.), Handbook of Emotions (2nd edn., New York: Guilford Press, 2000), 397—414, here 401。
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