1701502973
(248) Doris Bachmann-Medick, Cultural Turns: Neuorientierungen in den Kulturwissenschaften (Reinbekbei Hamburg: Rowohlt-Taschenbuch-Verlag, 2006).
1701502974
1701502975
(249) Eve Kosofsky Sedgwick, Touching Feeling: Affect, Pedagogy, Performativity (Durham, NC
:Duke University Press, 2003), 139—140.
1701502976
1701502977
(250) Gregory J. Seigworth and Melissa Gregg, “An Inventory of Shimmers”, in Melissa Gregg and Gregory J. Seigworth (eds.), The Affect Theory Reader (Durham, NC: Duke University Press, 2010), 1—25, here 22.
1701502978
1701502979
(251) Tanya Erzen, Straight to Jesus: Sexual and Christian Conversions in the Ex-Gay Movement (Berkeley and Los Angeles: University of California Press, 2006); Michelle Wolkomir,“Emotion Work, Commitment, and the Authentication of the Self: The Case of Gay and Ex-Gay Christian Support Groups”, Journal of Contemporary Ethnography , 30/3 (2001), 305—334; Michelle Wolkomir, Be Not Deceived: The Sacred and Sexual Struggles of Gay and Ex-Gay Christian Men (New Brunswick, NJ: Rutgers University Press, 2006)．美国“去同性恋”运动的先驱、牧师艾伦· 梅丁格（Alan Medinger）写了一本自助书，旨在帮助年轻的同性恋者实现“皈依”，见Growth into Manhood: Resuming the Journey (Colorado Springs: Waterbrook Press, 2000)。
1701502980
1701502981
(252) David Freedberg, The Power of Images: Studies in the History and Theory of Response (Chicago
:University of Chicago Press, 1989).
1701502982
1701502983
(253) David Freedberg, “Memory in Art: History and the Neuroscience of Response”, in Suzanne Nalbantian, Paul M. Matthews, and James L. McClelland (eds), The Memory Process: Neuroscientific and Humanistic Perspectives (Cambridge, MA: MIT Press, 2011), 337—358, here 344—345.
1701502984
1701502985
(254) David Freedberg, “Memory in Art: History and the Neuroscience of Response”, in Suzanne Nalbantian, Paul M. Matthews, and James L. McClelland (eds), The Memory Process: Neuroscientific and Humanistic Perspectives (Cambridge, MA: MIT Press, 2011), 345.
1701502986
1701502987
(255) David Freedberg, “Memory in Art: History and the Neuroscience of Response”, in Suzanne Nalbantian, Paul M. Matthews, and James L. McClelland (eds), The Memory Process: Neuroscientific and Humanistic Perspectives (Cambridge, MA: MIT Press, 2011), 351—352．弗里德伯格提到的镜像神经元文章是B. Calvo-Merino et al., “Action Observation and Acquired Motor Skills: An fMRI Study with Expert Dancers”, Cerebral Cortex , 15/8 (2005), 1243—1249。
1701502988
1701502989
(256) 见“索茨艺术家”（Sots Artists）考玛尔&梅拉米德（Komar & Melamid）在不同国家所做的“最受欢迎的绘画”系列调查。他们呈现了不同地区最受欢迎和最不受欢迎的艺术作品，见Komar & Melamid, “The Most Wanted Paintings on the Web”, accessed 13 March 2014。亦见“The Search for a people’s Art”, The Nation , 258/10 (14 March 1994), 334—348; Andrew Ross, “Poll Stars: Komar &Melamid’s ‘The People’s Choice’”, Art Forum (January 1995), 72—77, 109。
1701502990
1701502991
(257) “事实上，由于我打算在其他地方阐明的原因，这种‘超审美’反映在图像上可能比在现实上更强烈，这最终取决于艺术家对这种可能性的直觉理解。”见David Freedberg, “Empathy, Motion and Emotion”, in Klaus Herding and Antje Krause-Wahl(eds.), Wie sich Gefühle Ausdruck verschaffen: Emotionen in Nahsicht (Berlin 2007), 17—51,here 41。
1701502992
1701502993
(258) 又见Tomohiro Ishizu and Semir Zeki, “Toward a Brain-Based Theory of Beauty”, PLoS ONE , 6/7 (2011), e21852: 1—10。
1701502994
1701502995
(259) Freedberg, “Memory in Art”, 347—348.
1701502996
1701502997
(260) Freedberg, “Memory in Art”, 337.
1701502998
1701502999
(261) Freedberg, “Empathy, Motion and Emotion”, 27.
1701503000
1701503001
(262) Freedberg, “Empathy, Motion and Emotion”, 23.
1701503002
1701503003
(263) David Freedberg and Vittorio Gallese, “Motion, Emotion and Empathy in Esthetic Experience”, Trends in Cognitive Sciences , 11/5 (2007), 197—203.
1701503004
1701503005
(264) Fortunato Battaglia, Sarah H. Lisanby, and David Freedberg, “Corticomotor Excitability during Observation and Imagination of a Work of Art”, Frontiers in Human Neuroscience , 5(2011), 79: 1—6．弗里德伯格关注神经科学的发展，并且清楚地意识到镜像神经元假说是有争议的：“尽管镜像神经元不能支撑目前以它为名的许多主张”，见Freedberg,“Memory in Art”, 341。
1701503006
1701503007
(265) Semir Zeki, A Vision of the Brain (Oxford: Blackwell Scientific Publications, 1993); Semir Zeki, Inner Vision: An Exploration of Art and the Brain (Oxford: Oxford University Press, 1999);Semir Zeki, Splendors and Miseries of the Brain: Love, Creativity, and the Quest for Human Happiness (Chichester: Wiley-Blackwell, 2009)．也见Whitney Davis, “Neurovisuality”, Nonsite.org , 2(12 June 2011) accessed 14 March 2014;John Oinans, Neuroarthistory: From Aristotle and Pliny to Baxandall and Zeki (New Haven: Yale University Press, 2008); Journal of Neuroesthetics ; Arts and Neurosciences Review 。
1701503008
1701503009
(266) 参见Sianne Ngai, Ugly Feelings (Cambridge, MA: Harvard University Press, 2007); Jane F. Thrailkill, Affecting Fictions: Mind, Body, and Emotion in American Literary Realism (Cambridge,MA: Harvard University Press, 2007); Barbara Johnson, Persons and Things (Cambridge, MA
:Harvard University Press, 2008); Raoul Schrott and Arthur Jacobs, Gehirn und Gedicht: Wie wir unsere Wirklichkeiten konstruieren (Munich: Hanser, 2011)。又见Andreas Lambert, Oliver Kauselmann, and Boris Kleber, Cognitive Poetics: Visualisierung von emotionalen Reaktionen auf Literatur [web installation]
accessed 14 March 2014。
1701503010
1701503011
(267) William E. Connolly, Neuropolitics: Thinking, Culture, Speed (Minneapolis: University of Minnesota Press, 2002), 3.
1701503012
1701503013
(268) Brian Massumi, “Introduction: Like a Thought”, in Massumi (ed.), A Shock to Thought
:Expression after Deleuze and Guattari (London: Routledge, 2002), xiii—xxxix, here xiii.
1701503014
1701503015
(269) Brian Massumi, “Introduction: Like a Thought”, in Massumi (ed.), A Shock to Thought
:Expression after Deleuze and Guattari (London: Routledge, 2002), xv.
1701503016
1701503017
(270) Seigworth, “Inventory of Shimmers”, 24，原文强调。
1701503018
1701503019
(271) William E. Connolly, A World of Becoming (Durham, NC: Duke University Press, 2011), 150—151.
1701503020
1701503021
(272) John Protevi, Political Affect: Connecting the Social and the Somatic , Posthumanities 7(Minneapolis: University of Minnesota Press, 2009), 25.
1701503022
[
上一页 ]
[ :1.701502973e+09 ]
[
下一页 ]