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[13] Ibid.,p.16.
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[14] Ibid.,p.17.
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[15] Ibid.,p.22.
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[16] Ibid.,p.23.
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[17] Ibid.,p.52.
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[18] Ibid.,p.54.
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[19] Ibid.,p.38.
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[20] Ibid.,p.51.
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[21] Ibid.,pp.45,46,49.
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[22] See A.F.B.Clark,Boileau and the French Classical Critics in England,1660-1830(Paris,1925);J.Cohen and T.H.Miles,‘The Sublime’,Modern Philology,LXXIV(1977),297.
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[23] An Essay on the Sublime(1747),p.2;Enquiry,p.1.
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[24] An Essay on the whole Art of Criticism as it relates to Painting(1719),p.35.
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[25] 对于那些讨论崇高的作品,最权威的考察请参阅S.H.Monk,The Sublime:A Study of Critical Theories in 18 th Century England(New York,1935).
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[26] Grounds of Criticism in Poetry(1704),p.68.
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[27] On the Sublime(3 rd edn,1752),IX.
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[28] An Essay on the Sublime,pp.10-1,12;Enquiry,p.57.
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[29] Enquiry,p.39.
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[30] The Sublime,pp.86-7.
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[31] Miscellanies in Verse and Prose(1693),pp.133-4.
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[32] Hume,Observations on Man(5 th edn,1810),I,443;Enquiry,pp.58,60,63.
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[33] Enquiry,p.112.
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[34] A Tracte containing the Artes of Curious Paitinge etc.(trans.P.Haydocke,Oxford,1598),p.34.
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[35] Characteristicks(1711),III,182-3.
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[36] Enquiry,p.110.
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[37] Ibid.,p.108.
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