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[13] Ibid．，p．16．
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[14] Ibid．，p．17．
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[15] Ibid．，p．22．
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[16] Ibid．，p．23．
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[17] Ibid．，p．52．
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[18] Ibid．，p．54．
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[19] Ibid．，p．38．
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[20] Ibid．，p．51．
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[21] Ibid．，pp．45，46，49．
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[22] See A．F．B．Clark，Boileau and the French Classical Critics in England，1660-1830（Paris，1925）；J．Cohen and T．H．Miles，‘The Sublime’，Modern Philology，LXXIV（1977），297．
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[23] An Essay on the Sublime（1747），p．2；Enquiry，p．1．
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[24] An Essay on the whole Art of Criticism as it relates to Painting（1719），p．35．
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[25] 对于那些讨论崇高的作品，最权威的考察请参阅S．H．Monk，The Sublime：A Study of Critical Theories in 18 th Century England（New York，1935）．
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[26] Grounds of Criticism in Poetry（1704），p．68．
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[27] On the Sublime（3 rd edn，1752），IX．
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[28] An Essay on the Sublime，pp．10-1，12；Enquiry，p．57．
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[29] Enquiry，p．39．
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[30] The Sublime，pp．86-7．
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[31] Miscellanies in Verse and Prose（1693），pp．133-4．
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[32] Hume，Observations on Man（5 th edn，1810），I，443；Enquiry，pp．58，60，63．
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[33] Enquiry，p．112．
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[34] A Tracte containing the Artes of Curious Paitinge etc．（trans．P．Haydocke，Oxford，1598），p．34．
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[35] Characteristicks（1711），III，182-3．
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[36] Enquiry，p．110．
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[37] Ibid．，p．108．
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