打字猴:1.70160581e+09
1701605810 Martin(马丁),John(约翰)
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1701605812 Mendelssohn(门德尔松),Moses(摩西)
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1701605814 Merchant of Venice,The(《威尼斯商人》),Burke cites(伯克引用)
1701605815
1701605816 Michelangelo Buonarroti(米开朗基罗·博纳罗蒂)
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1701605818 Miles(迈尔斯),T.H.
1701605819
1701605820 Milner(米尔纳),Rev.John(约翰)(later Bishop of Castabala)(坎特伯雷新主教),influence of Enquiry on(《探讨》一书对米尔纳的影响)
1701605821
1701605822 Milton(弥尔顿),John(约翰),Burke cites(伯克引用);Burke on proportion of Satan(伯克论撒旦的比例);18th century interest in sublimity of(18世纪对弥尔顿著作中崇高的关注);Johnson(约翰逊);Kant(康德);magnificence in poetry of(弥尔顿诗作中表现出来的富丽堂皇的意象)
1701605823
1701605824 Monk(芒克),S.H.
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1701605826 Montesquieu(孟德斯鸠),Charles Louis de(查尔斯·路易斯·德)
1701605827
1701605828 Monthly Review,The(《月度评论》);and textual changes in Enquiry(《探讨》一书文本上的更改)
1701605829
1701605830 Mortimer(莫蒂默),John H.(约翰·H.)
1701605831
1701605832 Murphy(墨菲),Arthur(亚瑟),on poetic imagery(论诗歌的描绘);reviews Enquiry(对《探讨》一书的评论)See also references to review of Enquiry in Literary Magazine(参见《月度评论》对《探讨》一书的评论所涉书目各条)
1701605833
1701605834 Newton(牛顿),Sir Isaac(艾萨克爵士);Burke in tradition of(伯克追随牛顿);Burke mentions(伯克提到);Burke probably drawing on knowledge of(伯克或许引利用了牛顿的知识);Opiticks and Theory of Light and Colour in Burke’s library(伯克藏书中有《光学》和《光亮和色彩原理》)
1701605835
1701605836 Nicolson(尼科尔森),M.H.
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1701605838 Novelty(新奇),excites curiosity and stimulates the mind(新奇促发心中的好奇感,使人受到刺激)
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1701605840 Nugent(努根特),Thomas(托马斯)
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1701605842 Obscurity(模糊);Beattie(贝蒂);Blair(布莱尔);Blake(布莱克);Burke’s theory of words depends in notion of(伯克的语词理论主要建基于模糊的观念);Cox(考克斯);Diderot(狄德罗);Hardy(哈代);increases terror necessary to sublime(模糊提高了崇高感所需的恐怖);Lewes(刘易斯);Milton(弥尔顿);more emotive than clearness(模糊远比清晰更动人);Reynolds(雷诺兹)
1701605843
1701605844 Odyssey,The(《奥德赛》);Burke cites(伯克引用);Pope’s translation of(蒲柏的译本)
1701605845
1701605846 On the Sublime(Longinus)(《论崇高》,朗吉弩斯著),Burke alludes to(伯克提到);Burke uses same illustrations as Longinus in(伯克引用和朗吉弩斯著作中一样的例子).See also Longinus(参见“Longinus”条)
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1701605848 Opticks(Newton)(《光学》,牛顿著);Burke cites(伯克引用);Burke probably relying on(伯克或许利用了《光学》中的原理);Burke possessed copy of(伯克藏书中有《光学》)
1701605849
1701605850 Ovid(奥维德),Burke cites(伯克引用)
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1701605852 Owen(欧文),Rebekah(丽贝卡)
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1701605854 Pain(痛苦),a simple idea(一种单纯的感觉);blackness naturally causes(黑色自然而然促发痛苦);Campanella able to bear(康帕奈拉能够忍受痛苦);caused visually(视觉上造成的痛苦);darkness naturally causes(黑暗自然而然促发痛苦);delight a pleasure relative to(欣喜是一种与痛苦相联的愉悦);exclusion from society a source of extreme(与社会隔绝会造成极度痛苦);horror excited by ideas of(痛苦引发的恐怖感觉);imagination most extensive source of(想象力是痛苦的广泛来源);indifference a neutral state between pleasure and(平淡是愉悦与痛苦的中间状态);is positive(痛苦是实在的、客观的);more powerful than pleasure(痛苦比愉悦更具力量);nature of pain on which sublime depends(崇高依赖于痛苦的本性);not caused by diminution of pleasure(愉悦的减少不会造成痛苦)pass.;on Locke’s views on pleasure and(论洛克关于愉悦和痛苦的观点);passions concerning self-preservation excited by(自保原则所支配的激情是因痛苦而来的);pleasure and(愉悦与痛苦);relation of taste and smell to(味觉、嗅觉和痛苦的关系);relation to grief(痛苦和忧伤的关系);sublime caused by objects which induce ideas of(那些可以促发痛苦感觉的事物均能令人感觉崇高);West(韦斯特)
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1701605856 Painting(绘画),affects through force of sympathy(通过同情的作用而影响人);Apellesand shoe-maker(阿佩利斯与鞋匠);Bellini and Mahomet II(贝里尼和穆罕默德二世);clearness of representation in(绘画中的清晰和再现);colour in historical(历史画中的色彩);depiction of terrible scenes in(在画作当中描写恐怖的景象);Du Bos(杜博斯);emotively inferior to language(语言比绘画更能打动人);importance of imitation in(绘画中模仿的重要性);influence of Enquiry on(《探讨》一书对绘画的影响);poetry and(诗歌与绘画)
1701605857
1701605858 Paradise Lost(《失乐园》),Burke cites(伯克引用)
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