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So much of life is merely a farce. It is sometimes just as well to stand by and look at it and smile, perhaps better than to take part in it. Like a dreamer awakened, we see life, not with the romantic color of yesternight’s dream, but with a saner vision. We are more ready to give up the dubious, the glamorous and the unattainable, but at the same time to hold on to the few things that we know will give us happiness. We always go back to nature as an eternal source of beauty and of true and deep and lasting happiness. Deprived of progress and of national power, we yet throw open our windows and listen to cicadas or to falling autumn leaves and inhale the fragrance of chrysanthemums, and over the top there shines the autumn moon, and we are content.
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For we are now in the autumn of our national life. There comes a time in our lives, as nations and as individuals, when we are pervaded by the spirit of early autumn, in which green is mixed with gold and sadness is mixed with joy, and hope is mixed with reminiscence. There comes a time in our lives when the innocence of spring is a memory and the exuberance of summer a song whose echoes faintly remain in the air, when as we look out on life, the problem is not how to grow but how to live truly, not how to strive and labor but how to enjoy the precious moments we have, not how to squander our energy but how to conserve it in preparation for the coming winter. A sense of having arrived somewhere, of having settled and having found out what we want. A sense of having achieved something also, precious little compared with its past exuberance, but still something, like an autumn forest shorn of its summer glory but retaining such of it as will endure.
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I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colors richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content. From a knowledge of those limitations and its richness of experience emerges a symphony of colors, richer than all, its green speaking of life and strength, its orange speaking of golden content, and its purple of resignation and death. And the moon shines over it, and its brow seems white with reflection, but when the setting sun touches it with an evening glow, it can still laugh cheerily. An early mountain breeze brushes by and sends its shivering leaves dancing gaily to the ground, and you do not know whether the song of the falling leaves is the song of laughter or of parting tears. For it is the Song of the Spirit of Early Autumn, the spirit of calm and wisdom and maturity, which smiles at sorrow itself and praises the exhilarating, keen, cool air—the Spirit of Autumn so well expressed by Hsin Ch‘ichi:
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“In my young days,
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I had tasted only gladness,
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But loved to mount the top floor,
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But loved to mount the top floor,
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To write a song pretending sadness.
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“And now I’ve tasted
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Sorrow’s flavors, bitter and sour,
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And can’t find a word,
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And can’t find a word,
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But merely say, ‘What a golden autumn hour! ‘”
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Notes
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conviction, firm belief; being convinced.
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past masters, people having practiced skill.
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zest, keen enjoyment; gusto; relish.
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mellower, made softer or more genial by experience.
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joviality, the act of being merry, joyous, or jolly.
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incorrigible humor, sympathetic laughter which is so strong that it is beyond correction.
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heathen, pagan; irreligious person.
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the life of the present, living only for the present moment; not caring about the past or the future.
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envelop, combine in one wrapper; include.
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extract its essence, take out from life its essential element.
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a life hereafter, a life after this life that we are living.
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