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我一点儿都不惊奇:参见露西写给查尔斯夫人的信。Lucy Calhoun to Mrs.Charles H.Hutchinson,February 13,1913,Art Institute of Chicago Archives,quoted in Pearlstein,“Color,Life and Moment,”6.
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有一个奇怪现象:参见《一位驻扎中国的美国外交官》。Reinsch,An American Diplomat in China,161.
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“露西阿姨”主办了一个聚会:参见凯茨写给弗朗西斯的信。George Kates to Frances Francis,September 5,1933,Henry Sayles Francis Papers.
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北京协和医学院由英美两国的传教士创建:关于北京协和医学院的详情,见《约翰·格兰特回忆录:口述史》。“Reminiscences of John Black Grant
:Oral History,”Columbia Center for Oral History(1961),
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它们“像雪崩一样”流入美国:参见《紫禁城服饰展》。Alan Priest,Costumes from the forbidden City,1945,MMA,http://libmma.contentdm.oclc.org/cdm/ref/collection/p 15324 coll 10/id/1170.
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夏洛特的纺织品收藏:参见《天国衣裳:中国末代王朝的丝绸传奇》。Alice Zrebiec and Micah Messenheimer,Threads of Heaven
:SilkenLegacy of China’s Last Dynasty(Companion to Qing Dynasty Textiles at the Denver Museum),12;and Vollmer,Clothed to Rule the Universe,(Chicago
:Art Institute of Chicago in association with University of Washington Press,2000),34.
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作为商业代理经手了不少灰色交易:参见《莫里森通信》。in Lo HuiMin,Correspondence of G.E.Morrison,Vol.I,524,notes 3,4.
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非常摩登,非常别致,衣着非常欧式:参见《北京灰尘》。Ellen N.La Motte,Peking Dust(New York
:Century,1919),74.
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在我内心,我是一个在外国接受教育的外国人:参见《紫禁城两年记》。Princess Der Ling,Two Years in the Forbidden City(New York
:Dodd,Mead,1931),382.
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中国皇族最后一位在世成员:参见《清宫假冒者》。Hayter-Menzies,Imperial Masquerade,327.
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就像一位派往华盛顿的外交官:参见《与龙共舞》。Boyd,A Dance with the Dragon,152.
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被废黜的皇后:同上。
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北京是外国人的天堂:参见《我在中国的回忆录》。Helen Foster Snow,My China Years
:A Memoir(New York
:Morrow,1984),94.
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紫禁城不再禁止人们入内:参见《一位诗人的一生》。Monroe,A Poet’s Life,445.
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在北京,我们每个人都收藏:参见《牡丹与马驹》。Acton,Peonies and Ponies,45.
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有关普艾伦在北京生活的情况:参见《普艾伦》一书。from Joseph M.Upton and Edward C.Wells,Alan Reed Priest(privately printed,1970),20.
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有关参观北京戒台寺的情况:同上,21~22页。
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都聚集在宏伟陵墓周围寻找文物:参见《一位审美家的回忆录》。Acton,Memoirs of an Aesthete,278~279.
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1705466857
沉溺于中不中、洋不洋的舞蹈:引自普艾伦写给萨克斯的信。Alan Priest to Paul Sachs,February 26,1927,Paul J.Sachs Files,HAMA.
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1705466859
一天深夜,有人来敲史克曼家的门:参见1978年夏季刊《东方艺术》杂志。information from interview with Mackenzie and Stephen Addiss inOriental Art,Vol.30
:2(Summer 1978),229.
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踏破铁鞋无觅处,得来全不费工夫:参见《史克曼及其中国收藏的构建》。Churchman,“Laurence Sickman and the Formation of the Chinese Collection”.
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文物偷运出宫:有关皇宫收藏迁移、文物偷运出宫的情况,参见《两个故宫博物院:有关其形成和历史的非正式报告》等。James Cahill,“Two Palace Museums
:An Informal Account of their Formation and History,”Kaikodo Journal XIX(2001),http://jamescahill.info/the-writingsof-james-cahill/cahill-lectures-and-papers/236-clp-41-2001-qtwo-palacemuseums-an-informal-account-of-their-formation-and-historyq-kaikodo-journalxix-2001;Willow Hai Chang,The Last Emperor’s Collection
:Masterpieces of Painting and Calligraphy from the Liaoning Provincial Museum(New York
:China Institute Gallery,2008),2~3;Jeannette Shambaugh Elliot with David Shambaugh,The Odyssey of China’s Imperial Art Treasures(Seattle
:University of Washington Press,2005),56 e seq.On Sickman’s acquisitions from Puyi,information provided by Marc Wilson in 2014 interview.
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有关露西·卡尔霍恩的收藏:参见《色彩、生活和时机》。Pearlstein,“Color,Life and Moment.”83 et seq.
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中国成了每个人都感兴趣的话题:引自王伊悠《来自中国的卢浮宫》。Carl Whiting Bishop,quoted in Daisy Wang,The Loouvre from China,39.
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第十五章 鉴赏家
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