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1705661388
106. Istorie fiorentine , Bk 5, ch. 33, in Machiavelli 1966, 2.656–7.
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1705661390
107. Numerous preparatory sketches, including battle studies (Accademia, Venice, nos. 214– 16; RL 12338–9), individual horsemen (RL 12340r; K 14v), horses in extremis (RL 12326r), and the superb figure studies and head studies at Budapest (Szépmüvészeti Muzeum, inv. nos. 1174, 1175). See Zöllner 2003, nos. 42–55
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108. A 30v–31r, ‘Modo di figurare una battaglia ’.
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1705661394
109. Villata 1999, nos. 190–92. 1500年,列奥纳多完成了托瓦格利亚乡间别墅的草图。萨莱希望从列奥纳多对伊莉贝拉的请求的抗拒中获得好处:“列奥纳多·芬奇有个名叫萨莱的学生。他年纪轻轻但造诣匪浅,非常希望能为阁下您效劳。”(Luigi Ciocca to Isabella, 24 January 1505: ibid., no. 210)
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110. Amadori to Isabella, 3 May 1506: ibid., no. 227.
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111. For Michelangelo’s biography see DBI, s.v. Buonarroti; Bull 1996; Paul Barolsky, Michelangelo’s Nose: A Myth and its Maker (University Park, Pa., 1991). On the contemporary Life by Ascanio Condivi (1553), heavily influenced by Michelangelo himself, see Michelangelo 1987. On the rivalry with Leonardo, see Goffen 2002.
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112. Vasari 1987, 1.337–8; Goldscheider 1940, 9–10. 一页两面都画着列奥纳多素描的稿纸最近出现在法国(苏富比拍卖行2000年7月5日售出,据报道一名瑞士藏家以1.3万英镑的成交价买下)。这幅精美的素描用粉笔和墨水绘成,描绘了拿着棍子的大力神赫拉克勒斯。佩德雷蒂猜测,这可能和列奥纳多为《大卫》石雕做的工作有关(Guardian , 18 September 2000),其纪念碑风格可能是对《大卫》的呼应,而非对尚未被雕成《大卫》的石料的一个想法。这可能还与列奥纳多一条涉及雕塑的备忘录有关:1508年左右为皮埃尔弗朗切斯科·吉诺里创作的《赫拉克勒斯的功债》(see Part III n. 62)。
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1705661402
113. Anthony Burgess, ‘Michelangelo: the artist as miracle worker’, Sunday Times , 2 February 1975.
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1705661404
114. Archivio dell’Opera del Duomo, Deliberazioni 1496–1507, 186; Villata 1999, no. 186.
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115. Landucci 1927, 213–14.
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116. 朱塞佩·佐基很久以后描绘圣三一广场的画作展现了宫殿北面和西面的墙,依然没有凉廊,一小群人聚集在西南角接近桥的地方,那里可能是凉廊的起点。See the reproduction in Hibbert 1994, 209.
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117. Michelangelo to Giovanni Francesco Fattucci, 1523, in P. Barocchi and R. Ristori, eds., Il carteggio di Michelangelo (Florence, 1965–79), 3.7–9.
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118. Vasari 1987, 1.341–2. Documents in the Fondazione Herbert Horne, Florence, confirm Vasari’s statement about Michelangelo’s tenancy of Sant’Onofrio. See L. Morozzi, ‘La Battaglia di Cascina di Michelangelo: nuova ipotesi sulla data di commisssione’, Prospettiva 53 (1988– 9), 320–24.
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1705661414
119. Ma II 128r, PC 1.327; L 79r. Cf. E 19v–20r, a passage beginning ‘O anatomical painter’, warning against an over–emphasis on ‘bones, sinews and muscles’ making a painting ‘wooden’.
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1705661416
120. RL 12591r.
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121. Ar 148r–v, 149v.
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1705661420
122. CA 877r/319r–b, partially transcribed R 1534, addenda in PC 2.378.
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123. CA 196r/ 71v–b, R 1526.
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124. Ar 272r, R 1372; cf. Eissler 1962, app. C.
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125. CA 178r/62v–a, R 1373A. Pedretti thinks the script, though written left to right, is ‘the type of handwriting found in the studies for the Arno canal’, i.e. 1503–4 (PC 2.319). The mechanical wing on the recto is reproduced in RV 17 (1954), fig. 6.
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126. CA 541v/202v–a.
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127. Ar 271v. ‘Jacopo Tedesco’, charged at 1 carlino per day for board and lodging, paid 15 grossini on 9 August and 1 florin on 12 August.
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128. Ma II 2v–3r. See Reti 1968, pt 2; Maccagni 1974.
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129. RL 12676r On Il Botro see Part VII n. 26.
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1705661436
130. CA 765v/282 v–b.
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