1705662072
1705662073
36. Leic 2r.
1705662074
1705662075
37. Nicodemi, ‘Life and Works of Leonardo’, in Leonardo da Vinci (New York, 1938), cited White 2000, 6–7.
1705662076
1705662077
38. RL 19027r, v.
1705662078
1705662079
39. RL 19028.
1705662080
1705662081
40. RL 19054v.
1705662082
1705662083
41. RL 19095.
1705662084
1705662085
42. See, for example, Antonio Cammelli’s sonnet ‘Quando di Vener fu l’alma superba’ (Lubrici no. 4; Cammelli 1884, 200), where the ‘proud captain’ breaks through the‘stockade’ (steccata ) after a ‘bitter battle’.
1705662086
1705662087
43. RL 19055, formerly bound next to RL 19095.The embryological interest foreshadows the famous studies of the human foetus, RL 19101–2, etc.
1705662088
1705662089
44. RL 19070v, R 796.
1705662090
1705662091
45. 兰杜奇的记录（Landucci 1927, 217）称：“［1506年］1月24日，一位年轻男子被定罪，并将被执行绞刑，大学里的所有医生和学者，以及所有有学识而正直的人都向奥托请求之后可以解剖他。”解剖持续了一周，每天分为两部分，得到了戏剧性事件的高度重视：“我的主人安东尼奥每天都去观看。”列奥纳多可能也每天都去。
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1705662093
46. Sironi 1981, 23–6.
1705662094
1705662095
47. Ottino della Chiesa 1967, 94. 汉密尔顿1785年7月从奇科尼亚伯爵处购得，总共支付1582里拉。奇科尼亚伯爵士是圣卡泰丽娜修道院的行政主管，占有了已经被禁的兄弟会的财产和头衔。这份文件从汉密尔顿的后代传到了兰斯顿勋爵，再传到萨福克公爵，最终1880年，他以9000基尼（guineas）的价格将之卖给了英国国家美术馆。
1705662096
1705662097
48. The Swiss Virgin of the Rocks was exhibited at the Palazzo Reale, Milan, in 2000. See F.Caroli, Il Cinquecento Lombardo: Da Leonardo a Caravaggio (Milan 2000), cat. no. II.2.
1705662098
1705662099
49. Cu 25v, McM 57.
1705662100
1705662101
50. BM 1875–6–12–17r; Zöllner 2003, no. 27; Pedretti 1968, 27–8.
1705662102
1705662103
51. Daily Telegraph , 16 January 1996.
1705662104
1705662105
52. J. McEwen, ‘Leonardo restored’, Independent Magazine , 20 May 1989, 53–7.
1705662106
1705662107
53. Dalli Regoli 2001, 116–19. 这是唯一一幅已知的“跪着的丽达”的油画版本。一般认为，乌菲兹美术馆的4幅“站立的丽达”均在1509年至1510年或这之后绘制的，又称为“斯皮罗宗丽达像”（Spirodon Leda），以前一位拥有者卢多维科·斯皮罗宗命名。马拉尼认为这些作品由费兰多·亚涅斯绘制，而娜塔莉认为是洛伦佐·迪·克雷迪工作室所绘（Dalli Regoli 2001, 140）。In the Galleria Borghese, Rome, attributed to Il Sodoma; at Wilton House, Salisbury, attributed to Cesare da Sesto; and in the Johnson Collection, Philadelphia. 赫尔曼·戈林曾短暂拥有过“斯皮罗宗丽达像”，1941年加洛蒂·斯皮罗宗伯爵夫人把画卖给了他。
1705662108
1705662109
54. Leda’s face: RL 12515–8. Her features are closely echoed in Giampietrino’s Nymph Hegeria (Coll. Brivio Sforza, Milan), Venus and Cupid (Coll. Nembini, Milan) and Cleopatra (Louvre), and to a lesser extent in his Dido (Coll. Borromeo, Isola Bella) and Salome (National Gallery, London). The stance of his Venus is demonstrably based on the standing Leda. Cf. L. Keith and A. Roy, ‘Giampietrino, Boltraffio and the influence of Leonardo’, National Gallery Technical Bulletin 17 (1996), 4–19.
1705662110
1705662111
55. Technical report by Hans Brammer (Kassell, 1990), summarized by Jürgen Lehrmann in Dalli Regoli 2001, 116–18.A further connection of Giampietrino with Leonardo’s studio in c. 1509 is the polyhedron painted on the back of his Madonna and Child (Poldi Pezzoli, Milan), which derives from one of Leonardo’s illustrations for Pacioli’s Divina proportione (Venice, 1509); a copy of the painting by Giovan Battista Belmonte bears the date 1509.
1705662112
1705662113
56. On Bernazzano, see J. Shell and G. Sironi, ‘Bernardinus dictus Bernazanus de Marchixelis’, Arte Cristiana 78 (1990), 363ff. 弗朗切斯科·梅尔齐父亲和叔叔欠他30斯库迪的记录，为我们了解列奥纳多社交圈内部复杂的人际关系提供了一条线索，而我们几乎对此一无所知。He was a native of Inzago, near Milan: on his possible connection with a Last Supper fresco at Inzago, see n. 115.
1705662114
1705662115
57. RL 12343r, 123 54r, 12356r (illustrated), 12360r, etc.; Zöllner 2003, nos. 74–86. These were first systematically distinguished from Sforza Horse studies by Clark: see Clark and Pedretti 1968, 1.xxvi–xli.
1705662116
1705662117
58. CA 492r/179v–a, R 725.
1705662118
1705662119
59. F 87r.
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1705662121
60. F 15r; Pedretti 1995, 26. Cf. notes on the canalization of the Adda, c. 1508, CA 949r/345r–b.
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