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124. Jean Lemaire, Plainte du désiré (1509), in Nicodemi 1934, 8.
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125. CA 807r/295r–a.
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126. CU 20v, McM 51.
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127. Fors 3 83r.
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第三章
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1. ASF, Mediceo avanti il principato 37, 49; ALV 5 (1992), 120–22.
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2. ASF, Signori e Collegi 94, 5v (10 January 1478), 27r (16 March); Villata 1999, nos. 9, 10.
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3. 也有可能是“佚名作者”搞错了，菲利皮诺后来为韦奇奥宫画过一幅祭坛画（约1486年），但是这幅画是由地方法官奥托·迪·普拉蒂卡（Otto di Pratica）委托的，所以和《向圣伯纳德显灵》的委托任务毫无关系。菲利皮诺确实画过一幅祭坛画，来替代列奥纳多未完成的那幅作品（也就是为圣多纳托修道院绘制的《博士来朝》）。“佚名作者”这样说可能是因为他把两幅画弄混淆了。
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4. Clark 1933, 136–40.
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5. B. Berenson, Study and Criticism of Italian Art , vol. 3 (London, 1916); S. Brandi, La Fiera litteraria (Rome, 1967).
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6. E. de Liphart, Starye Gody (St Petersburg, 1909), in Ottino della Chiesa 1967, 90.
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7. Embolden 1987, 120.
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8. Uffizi GDS 212F (illustrated), sometimes attributed to Verrocchio; Louvre, Cabinet des Dessin 486 (Zöllner 2003, no. 118); BM 1860–6–16–100r (Zöllner 2003, no. 4).
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9. C. Pedretti, ‘Il disegno di Oporto’, RV 27 (1997), 3–11. Windsor word–lists: RL 12561.
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10. Madonna and child with the infant St John: RL 12276; Clark and Pedretti 1968, 1.3–4. Madonna and child with a cat: rapid sketches: BM 1857–1–10–1r, v (verso illustrated), 1860– 6–16–98; Musée Bonnat, Bayonne (Zöllner 2003, nos. 110–13); more finished studies: BM 1856–6–26–1r, v; private coll.; Uffizi GDS 421E (Zöllner 2003, nos. 115–17, 119).
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11. On the conspiracy, see Martines 2003; Acton 1979; Machiavelli, Istorie Fiorentine , Bk 8, chs. 1–9 (Machiavelli 1966, 2.738–46); A. Poliziano, Conjurationis Pactianae commentario .
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12. Martines 2003, 257ff.
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13. Vasari 1987, 1.239–40; G. Milanesi, Archivio storico 6 (1862), 5.
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14. Landucci 1927, 28, though another contemporary source, Belfredello Alfieri’s Chronichetta , dates the execution to the 29th (R 664n).
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15. Musée Bonnat, Bayonne. 波利齐亚诺将贝尔纳多描述为“亡命之徒”，但巴龙切利是圣十字教区有名望的佛罗伦萨家族；而马达莱娜·班迪尼·巴龙切利是吉内薇拉·德·班琪的祖母。列奥纳多有可能认识他记录的死刑犯。
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16. ASF, Operai Palazzo, Stanziamenti 10, 79V, 80v.
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17. See Brescia and Tomio 1999 for recent discoveries, including a seventeenth–century transcript of his funeral monument at Sant’Agata.
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18. Ammirato 1637, 2.242. ‘Zoroastro’, after the Persian magus Zarethustra, is garbled to ‘Geroastro’ in the anonymous Antiquarie prospettiche Romane , iv (see Part V n. 119). Ammirato adds two further variations: ‘Alabastro’ and ‘Chiliabastro’.
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19. I2 49v, R 704; cf. I2 47v, showing costumes decorated with shells, beads and cords.
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20. H 106v.
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