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29. 我们可以在这本动物寓言故事集中的其他地方，发现鸟类和亲子的关联：“尽管山鹑偷了其他鸟的蛋，但是这些蛋孵化出的幼鸟，还是会回到它们真正的母亲那里。”（H1 8v）而一篇经典的弗洛伊德主义文章说：“鸽子是忘恩负义的符号。因为当它们长得足够大，不再需要父母喂养时，就会与父亲无休止地斗争，直到小鸽子把父亲赶走，再把它的配偶占为己有。”（ibid., 7r）
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30. 64v, CA 1033r/370r–a.
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31. CA393r/145r–a; PC 2.279. The camel: H 10v. “usare con ”即与某人现在或者曾经相好，因此婉转地表达了他们有性关系。这句话出现在列奥纳多同父异母的弟弟洛伦佐·迪·塞尔·皮耶罗·达·芬奇写于1520年左右的 “告解”中，现存于佛罗伦萨的里卡尔迪亚纳图书馆（Biblioteca Riccardiana）， 其中说“如果一个私生子的亲生父母只发生过一次性关系，那么他的母亲很可能是侍妾或者女仆”。这条评论可能说的就是他父亲和卡泰丽娜的关系。On Lorenzo, see Part II n. 90 below.
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32. Pfister, 1913, 147. Freud incorporated this, with some reservations, into his second edition, 1919: see Freud 2001, 70–72.
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33. CA 765r/282r–b. 根据一则不可信的传言，磨坊的主人是列奥纳多的叔叔弗朗切斯科。在之后的16世纪，这里归里多尔菲家族所有，它被标注在芬奇镇 “圭尔夫地图”（Guelf map，1580）上，当时被称为“里多尔菲的磨坊”（Mulino di Doccia di Ridolfi）。
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34. CA 1033r/370r–a. On sixteenth–century oliviculture see P.Vettori, Trattato dello lodi de gl’ulive (Florence, 1569); Vezzosi 1990.
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35. 1504年至1505年，也就是写下这条笔记可能的时间，列奥纳多正在佛罗伦萨绘制壁画《安吉亚里战役》，这是一项需要大量颜料的大型工程。
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36. CA 18r/4r–b.
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37. Ma I 46v–47r, mid–1490s; an earlier horse–driven press (‘strettoio ’) is in CA 47r/14r–a. See Vezzosi 1990, 14–17.
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38. Dante, Paradiso, canto 14, 129, also playing on vinci = conquer (line 124); cf. Boethius, De Consolatione , Bk 3: ‘Felice è quei che spezza il vinco del amor terreno ’ – ‘Happy is he who breaks the bonds of earthly love.’ Leonardo uses the word in C 19v, describing a trick using ‘an osier–shoot [vincho ] and an arrow’.
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39. On the academy engravings see below, Part V n. 111; the spelling of the words varies (often ‘Achademia’). On the ‘fantasia dei vinci ’ by Correggio (a patron of Leonardo’s friend Antonio Cammelli), see Kemp 1981, 187.
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40. CA 888r/324r. 一份15世纪90年代左右的备忘录清单（CA 611r/225r–b）包括了这样一句话“gruppi di Bramante”： 里希特（R 1448）把gruppi翻译为“群体”，但这个词也可能是groppi的变体，指列奥纳多的朋友多纳托·布拉曼特设计的绳结。
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41. Lomazzo 1584, 430; PC 2.328.
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42. The ‘Madrid book–list’ of c. 1504 (Ma II 2v–3v) contains three copies of Aesop: a ‘favole d’isopo ’, an ‘isopo in versi ’, and a French edition, ‘isopo illingia francosa ’, perhaps Les Fables de Esope (Lyons, 1484).
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43. 1516年佛罗伦萨出版的新闻通讯标题是《1516年10月印度洋群岛寄来一封安德烈·科萨利写给尊贵的朱利亚诺·德·美第奇公爵的信》（Letter of Andrea Corsali to the Illustrious Duke Giuliano de’Medici which arrived from the Indies in the month of October 1516 ）。1513年至1516年，列奥纳多为朱利亚诺服务。See Vecce 1998, 317, 442.
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44. Ammirato 1637, 2.242.
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45. Horse shown from behind: RL 12308r. Ox and ass: RL 12362r. Others: Zöllner 2003, nos. 89–93. Also early is the proportional study of a horse, RL 12318, perhaps connected to Verrocchio’s project for the equestrian statue of Bartolomeo Colleoni. See Clayton 2002, 34.
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46. Zöllner 2003, no. 13, silverpoint on buff–coloured prepared paper. At auction it ‘soared past its £3.5m estimate in seconds’ (Maeve Kennedy, Guardian, 11 July 2001).
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47. RL 12653.
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48. BM 1895–9–15–447 (Zöllner 2003, no. 157); I 48r. See also RL 12361–red chalk with right–handed shading, thus probably a Melzi copy–and RL 12714.
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49. F 47r, c.1508.
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50. See Part III n. 10 below.
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51. H 109r.
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52. RL 12363.
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53. CA 477v/175v–a.
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