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24 参看 Speros Vyronis，The Decline of Medieval Hellenism in Asia Minor and the Process of Islamization from the Eleventh through the Fifteenth Century（Berkeley，CA，1971）。
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25 Oleg Grabar，The Illustrations of the Maqamat（Chicago，IL，1983），p. 150.
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26 Robert Hillenbrand，‘The Arts of the Book in Ilkhanid Iran’，in The Legacy of Genghis Khan，ed. Linda Komaroff and Stefano Carboni（New Haven，CT，2002），p. 150；Johan Elverskog，Buddhism and Islam on the Silk Road （Philadelphia，2010），p. 167.
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27 关于亚美尼亚艺术的转型，可参看 Dickran Kouymjian，‘Chinese Motifs in Thirteenth-Century Armenian Art：The Mongol Connection’，in Beyond the Legacy of Genghis Khan，ed. Linda Komaroff（Leiden，2006），pp. 303-324。
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28 Roxann Prazniak，‘Siena on the Silk Roads：Ambrogio Lorenzetti and the Mongol Global Century，1250-1350’，Journal of World History，XXI（2010），p. 216.
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29 同上，pp. 215-216。
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30 同上，p. 209。
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31 Iris Origio，‘The Domestic Enemy：The Eastern Slaves in Tuscany in the Fourteenth and Fifteenth Centuries’，Speculum，XXX/3（1958），pp. 321-366.
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32 Seth，A Concise History of Korea，p. 109.
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33 同上。
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34 Morris Rossabi，‘The Mongols and Their Legacy’，in The Legacy of Genghis Khan，ed. Linda Komaroff and Stefano Carboni（New Haven，CT，2002），p. 29.
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35 James C. Y. Watt，‘A Note on Artistic Exchanges in the Mongol Empire’，in The Legacy of Genghis Khan，ed. Linda Komaroff and Stefano Carboni（New Haven，CT，2002），pp. 66-68.
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