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12.3 (三)《源氏物语》中的死 [
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12.4 (四)出家是另一种形式的死 [
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12.5 (五)为什么最后的瞬间要饮水? [
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12.6 (六)日本人为什么接受了火葬? [
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12.7 (七)最后归无的往生诸相 [
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12.8 (八)在生死之间来来往往 [
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12.9 (九)接受死这个事实 [
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12.10 (十)日本人死的样板是西行法师 [
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12.11 (十一)遗骨放在嘴里啃嚼 [
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12.12 (十二)肉体、灵魂、白骨三元素 [
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12.13 (十三)葬礼解决两个问题:肉体与灵魂 [
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12.14 (十四)正月,盂兰盆会和彼岸的真意 [
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12.15 (十五)到底有没有死后的世界? [
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12.16 (十六)两座墓——参拜的墓和抛尸的墓 [
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12.17 (十七)日本人何以有晚霞信仰? [
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12.18 (十八)或许这就是死生文化吧? [
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13 九、幼稚的力量从何而来?——卡哇伊文化的前世今生 [
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13.1 (一)日本还在卡哇伊 [
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13.2 (二)天皇也卡哇伊? [
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13.3 (三)卡哇伊的词源考 [
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13.4 (四)幼小的就是可爱的 [
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13.5 (五)卡哇伊的力量来自何方? [
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13.6 (六)从大正到昭和:卡哇伊模样的变迁 [
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13.7 (七)为卡哇伊作出贡献的画家们 [
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13.8 (八)布玩偶与作为文化的卡哇伊 [
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13.9 (九)《佛兰德斯的狗》的长年之谜解构 [
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13.10 (十)卡哇伊与低智商 [
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13.11 (十一)卡哇伊与文化的无臭性 [
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14 十、日本文化七大之谜解构——从情死到落樱 [
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14.1 (一)情死为什么用“心中”来表示? [
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14.2 (二)日本人何以创生出赠答、互酬的文化模式? [
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14.3 (三)为何称自己是杂种文化? [
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14.4 (四)日本人喜欢左边还是右边? [
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14.5 (五)日本和尚为什么能娶妻喝酒? [
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14.6 (六)日本将棋何以能“持子”? [
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14.7 (七)为什么日本人喜欢落樱? [
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Cover
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另类日本文化史 [
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另类日本文化史
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另类日本文化史
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姜建强 著
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